In selecting editions of standard authors, one should always discriminate, so as to secure for the library, if not the best, at least good, clear type, sound, thick paper, and durable binding. Cheap and poor editions wear out quickly, and have to be thrown away for better ones, which wise economy should have selected in the first place. For example, a widely circulated edition of Scott's novels, found in most libraries, has the type so worn and battered by the many large editions printed from the plates, that many letters and words are wanting, thus spoiling not only the pleasure but abridging the profit of the reader in perusing the novels. The same is true of one edition of Cooper. Then there are many cheap reprints of English novels in the Seaside and other libraries which abound in typographical errors. A close examination of a cheap edition of a leading English novelist's works revealed more than 3,000 typographical errors in the one set of books! It would be unpardonable carelessness to buy such books for general reading because they are cheap. Librarians should avoid what are known as subscription books, as a rule, though some valid exceptions exist. Most of such books are profusely illustrated and in gaudy bindings, gotten up to dazzle the eye. If works of merit, it is better to wait for them, than to subscribe for an unfinished work, which perhaps may never reach completion. A librarian or book collector should be ever observant of what he may find to enrich his collection. When in a book-store, or a private or public library, he should make notes of such works seen as are new to him, with any characteristics which their custodian may remark upon. Such personal examination is more informing than any catalogue. I think each public library should possess, besides a complete set of the English translations of the Greek and Latin classics, a full set of the originals, for the benefit of scholarly readers. These classic texts can be had complete in modern editions for a very moderate price.