Brangwyn represents the Rabot lock and its bold
defensive towers. These have two points of interest. They do justice
to the character of mediæval Ghent, being bluff, stern, fanciful,
ambitious, but short-sighted; and they seem to be copied from the
Holsten Gate at Lübeck, built by this Hanseatic and republican city as
a protection against frequent attacks from Denmark.
10. Covered Defensive Bridges of Timber. In these the protection
has been of three sorts: against the weather, against riots, and
against primitive weapons. Thus the covered bridges of Sumatra, made
with bamboo and boards, are sunshades in bridge-building; and this
applies to the roofed timber bridges in Western China. Some of these
are carried over important rivers on stone piers, their roofing is
decorative, and even to-day they would be useful in a time of unrest,
especially to women and children. As for the Swiss variety of covered
timber bridge, it seems to date from the period of lake-dwellings. But,
whatever its lineage may have been, it is very ancient. Throughout the
Middle Ages it was valued in war as well as in winter, when its footway
was always free from snow. Often there was but a narrow space for
light and air between the overhanging roof and the balustrade of heavy
planks. It is not surprising that Swiss timber bridges were to mediæval
archers and crossbowman what Hougomont was to Napoleon’s troops. On
the other hand, it is surprising that these primitive structures are
still as popular among the Swiss as they ever were. The most remarkable
specimens are at Lucerne. In Brangwyn’s vivid pen-drawing we see the
Todentanzbrücke, which is decorated with thirty pictures of the Dance
of the Dead, by Meglinger.
[Illustration: TODENTANZBRÜCKE AT LUCERNE IN SWITZERLAND]
As for the Kapellbrucke, also at Lucerne, it dates from 1303, and its
length is 324 metres. It crosses the mouth of the river Reuss, that
flows impetuously under it in a limpid torrent. The timbers that
support the roof are ornamented with 254 scenes from the history of
Switzerland.
[Illustration: PONT SAINT-ESPRIT]
Public-domain text, read in full here on John Shaqi.
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