RENAISSANCE, THE, and its Genius, in the war-bridge at Würzburg,
Bavaria, 259;
in Venetian bridges, 211-12, 307, 315-16;
in the bastille bridge at Châtellerault, 331-4;
in the gradual decline of bridges from military forethought into a
complete disregard for national defence, 336-44;
in wasteful artistry such as redundant ornament and too elaborate
parapets, 320, 321, 322, 324, 325, 326.
RENNIE, GEORGE, his design for London New Bridge has defects of
scale, 256, 257.
RENNIE, JOHN, _b._ 1761--d. 1821, his poor bridge over the Thames
at Southwark was financed by a Company, not by the City, as if
London were a trivial village with some new industries that
needed encouragement, 326-7.
RENNIE, SIR JOHN, son of John Rennie and brother of George Rennie,
was the acting engineer during the building of New London
Bridge, according to Professor Fleeming Jenkin.
RESEARCH, its illimitable scope in the study of bridges, 3-13.
RHÔNE, THE RIVER, his two famous old bridges, the Pont St. Bénézet
and the Pont St. Esprit, both constructed by the _Frères
Pontifes_, or Pontist Brothers. See Brangwyn’s pictures and the
text.
RIALTO, Venice, 209, 211-12.
RIBBED ARCHES, like those in the Monnow Bridge at Monmouth, 281,
and the Pont de Vernay at Airvault, Deux-Sèvres, plate facing
page 96. The introduction of ribbed vaulting into English
churches and bridges, 93-100. Professor Moseley’s remarks on
groined or ribbed arches may be quoted here from Hann and
Hosking’s profuse volumes. “The groin ... is nothing more than
an arch whose voussoirs vary as well in breadth as in depth. The
centres of gravity of the different elementary voussoirs of this
mass lie all in its plane of symmetry. Its line of resistance is
therefore in that plane.... Four groins commonly spring from one
abutment; each _opposite_ pair being addossed, and each
_adjacent_ pair uniting their margins. Thus they lend one
another mutual support, partake in the properties of a dome, and
form a continued covering. The groined arch is of all arches the
most stable; and could materials be found of sufficient strength
to form its abutments and the parts about its springing, I am
inclined to think that it might be built safely of any required
degree of flatness, and that spaces of enormous dimensions might
readily be covered by it.” Yet “modern builders, whilst they
have erected the common arch on a scale of magnitude nearly
approaching perhaps the limits to which it can be safely
carried, have been remarkably timid in the use of the groin.”
Progress may be compared to a dilatory army that ever fails to
march forward with all its needed units.
RICHMOND BRIDGE, Yorkshire, had a chapel, 231.
RIMINI, her Roman bridges, 82, 199, 200, 220.
Public-domain text, read in full here on John Shaqi.
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