Not that Savoy is the only place where criss-cross bridges are still in
vogue. Much finer specimens are to be found in Kashmír, thrown across
the river Jhelum, the Hydaspes of Greek historians. At Srínagar, the
capital city, founded in the sixth century A.D., there is a quite
wonderful example, for it has many spans, and corbelled out from the
footway is a quaint little street of frail shops, rickety cabins with
gabled roofs, and so unequal in size that they are charmed with an
amusing inequality. I have several photographs of this bridge, and in
them I see always with a renewed pleasure its ancestry, its descent
from the prehistoric lake-villages, those heralds of Venice and of Old
London Bridge (p. 216). All the piers are made with deodar logs piled
up in the criss-cross manner; those that stretch across the river are
cut in varying lengths, and each succeeding row is longer than the one
beneath it, so the logs in a brace of piers project towards each other
farther and farther over the water, till at last they form an arched
shape; not an arch perfect in outline, of course, since the head of
it is flattened by the long bearing beams of the roadway. Still, the
arched shape is very noticeable.
A pontist should study these rude arches with care, and connect them
with similar arches in the Gaulish bridges of Savoy, and also with
the historic fact that the first arches built with _voussoirs_ (i.e.
arch-stones) were evolved from vaults roughly constructed with parallel
courses of stone and layers of timber (p. 155). It is probable that
the parallel layers of timber or rows of logs came before the parallel
courses of stone, as the evolution of architecture passed from wood
to stone. Forests much more than rocks and quarries have been an
inspiration to primitive builders, as if the handling of wood has
quickened in human nature an arboreal instinct dating from the family
trees in the descent of man.
[Illustration: AT ALBI ON THE TARN, IN FRANCE, SHOWING ON OUR RIGHT THE
OLD HOUSES, AND ON OUR LEFT, BEYOND THE BRIDGE, THE GREAT OLD CHURCH,
FAMOUS FOR ITS FORTIFICATIONS]
However, another criss-cross bridge in Kashmír ought to be studied
in photographs; it is carried on six piers over the Jhelum at
Baramula--quite close to the Himalayas; the piers rise from boat-shaped
platforms that meet the oncoming water as boats do, with their blunt
stems looking brave as rearguards. The parapet is a simple latticework,
and the abutments are masonry. Here we have a type of bridge perhaps
quite similar to the one from which the Gauls got their rude methods,
long after the craft of the lake-dwellers had left its sheltered
moorings and adventured across wide rivers.
Public-domain text, read in full here on John Shaqi.
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