Railway bridges have been built in obedience to a brace of conventional
arguments. It has been argued, first, that because traffic and trade
are the main considerations, therefore art is not a matter to be
considered; next, that because boards of directors have to please their
shareholders, therefore a most strenuous economy must be advertised in
a very evident manner, even although its results blot fine landscapes
with the shame of uninspired craftsmanship.
Thirty-four years have passed since the late E. M. Barry, R.A., in a
thoughtful book, asked the public to understand that modern engineering
was not architecture at all, but mere building; and he chose as an
example of horrible work the Britannia Bridge over the Menai Straits.
“Here we have the adoption of the trabeated principle of large iron
beams laid upon supports of masonry, which rise from the valley
beneath, and tower up above the beams to a height far exceeding that
which is necessary for their support. I well remember the animated
discussions in scientific circles as to the form and design of these
beams, which were ultimately decided upon as rectangular tubes. In the
many discussions of the merits and defects of circular, elliptical
and square sections, I do not recollect that a word was said about
architectural effect [or about military convenience and strategy]. Had
anyone ventured to suggest that this, too, was an important matter,
and that an unsightly structure would be an eyesore for all time, he
would have been promptly told that the forms to be employed were an
affair of science alone, and that utility pure and simple would dictate
their arrangement. In the result a lovely valley was defaced....”
The same convention in mean tradecraft is shown in the tale about
Tennyson and the jerry-builder. “Why do you cut down these trees?” the
poet asked reprovingly. “Trees are beautiful things.” “Ah!” answered
the jerry-builder, “trees are luxuries; what we need is utility.” And
what this utility has done for us may be seen in a thousand railway
bridges as bad as those that disgrace even the Harrow Road, near by
Paddington Station.
Public-domain text, read in full here on John Shaqi.
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