A Book of Burlesque: Sketches of English Stage Travestie and ParodyAdams, William Davenport
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A Book of Burlesque: Sketches of English Stage Travestie and Parody
Adams, William Davenport
Burlesque (Literature); English literature -- History and criticism; Parody
Meanwhile, how were the librettists to be affected? Clearly, they
would have to give more opportunities than usual for musical and
saltatory illustration; and accordingly we find the book of "Little
Jack Sheppard" full of lyrics--solos, duets, quartets and choruses, all
of them set to new airs by competent composers. At the same time, the
authors took care not to omit the element of punning dialogue. In this
respect the old traditions were to be maintained. Byron, for instance,
might very well have written the lines which follow, in which the
interlocutors strive to outdo one another in the recklessness of their
_jeux de mots_:--
_Thames Darrell._ Wild and Uncle Roland trapped me,
They caught this poor _kid napping_, and _kidnapped_ me;
Put me on board a ship in half a crack.
_Winifred._ A ship! Oh, what a _blow_!
_Thames._ It was--a _smack_!
When out at sea the crew set me, Thames Darrell,
Afloat upon the waves within a barrel.
_Win._ In hopes the _barrel_ would turn out your _bier_.
_Thames._ But I'm _stout_-hearted and I didn't fear.
I nearly died of thirst.
_Win._ Poor boy! Alas!
_Thames._ Until I caught a fish----
_Win._ What sort?
_Thames._ A _bass_.
Then came the worst, which nearly proved my ruin--
A storm, a thing I can't _a-bear, a brewin'_.
_Win._ It makes me pale.
_Thames._ It made me _pale_ and _ail_.
When nearly coopered I descried a sail;
They did not hear me, though I loudly whooped;
Within the barrel I was _inned and cooped_.
_All's up_, I thought, when round they quickly brought her;
That ship to me of safety was the _porter_.
"Little Jack Sheppard"--which had for its chief exponents Miss Farren,
Mr. Fred Leslie (a brilliant recruit from the comic opera stage),
Mr. David James (who had returned for a time to his old love), Mr.
Odell, Miss Harriet Coveney, and Miss Marion Hood (who had graduated
in Gilbert-Sullivan opera)--was followed at the Gaiety by "Monte
Cristo Junior," in which Messrs. "Richard Henry" presented a bright
and vivacious travestie of Dumas' famous fiction, greatly aided by
the _chic_ of Miss Farren as the hero, and the inexhaustible humorous
resource of Mr. Leslie as Noirtier. Here, for example, is a bit of the
scene between these two characters in the Château d'If:--
(_Noirtier, disguised as Faria, pokes his head through the hole in the
prison wall. He wears a long grey beard, and is clad in rags._)
_Dantès_ (_startled_). This is the rummiest go I e'er heard tell on!
_Noirtier._ Pray pardon my intrusion, brother felon--
I'm Seventy-Seven.
_Dantès._ You look it--and the rest!
Public-domain text, read in full here on John Shaqi.
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