"Pardon, monsieur; we did not. It is true that the money might legitimately be regarded as belonging to us. But then those defrauded, or most of them, had left long ago, and there were among us some who had not been in service in the café more than a year or eighteen months. We could not trace the old waiters. Some were dead, some had married and left this part of the country. We were not a corporation. So we held a meeting to discuss what was to be done with the money. We feared, moreover, that unless the spirit of Jean Bouchon were satisfied, he might continue revisiting the café and go on sweeping away the tips. It was of paramount importance to please Jean Bouchon, to lay out the money in such a manner as would commend itself to his feelings. One suggested one thing, one another. One proposed that the sum should be expended on masses for the repose of Jean's soul. But the head waiter objected to that. He said that he thought he knew the mind of Jean Bouchon, and that this would not commend itself to it. He said, did our head waiter, that he knew Jean Bouchon from head to heels. And he proposed that all the coins should be melted up, and that out of them should be cast a statue of Jean Bouchon in bronze, to be set up here in the café, as there were not enough coins to make one large enough to be erected in a Place. If monsieur will step with me he will see the statue; it is a superb work of art." He led the way, and I followed. In the midst of the café stood a pedestal, and on this basis a bronze figure about four feet high. It represented a man reeling backward, with a banner in his left hand, and the right raised towards his brow, as though he had been struck there by a bullet. A sabre, apparently fallen from his grasp, lay at his feet. I studied the face, and it most assuredly was utterly unlike Jean Bouchon with his puffy cheeks, mutton-chop whiskers, and broken nose, as I recalled him. "But," said I, "the features do not--pardon me--at all resemble those of Jean Bouchon. This might be the young Augustus, or Napoleon I. The profile is quite Greek." "It may be so," replied the waiter. "But we had no photograph to go by. We had to allow the artist to exercise his genius, and, above all, we had to gratify the spirit of Jean Bouchon." "I see. But the attitude is inexact. Jean Bouchon fell down the steps headlong, and this represents a man staggering backwards." "It would have been inartistic to have shown him precipitated forwards; besides, the spirit of Jean might not have liked it." "Quite so. I understand. But the flag?" "That was an idea of the artist. Jean could not be made holding a coffee-cup. You will see the whole makes a superb subject. Art has its exigencies. Monsieur will see underneath is an inscription on the pedestal." I stooped, and with some astonishment read-- "JEAN BOUCHON MORT SUR LE CHAMP DE GLOIRE 1870 DULCE ET DECORUM EST PRO PATRIA MORI."