The stage is in two sections: the stage floor proper, to which is attached the footlight box, and the proscenium arch, which is made to be demounted and is held to the stage floor by right angle braces. The stage floor itself is made of ⅞″ stock which may run from eight to twelve inches in width. These boards are fastened to 2×4’s which run from the front to the back of the stage. Three lengths of these 2×4’s are all that are necessary. The box which holds the footlights may be made of ½″ stock which should be just deep enough to hold 60-watt lamps. Three circuits should be run into this box to provide for red, blue and green lamps. The diagram shows only one lamp to each color placed in the box, but to obtain the best results three or four lamps should be used on each circuit. Small stage connectors which can be obtained at any electrical dealer’s should be placed in the floor to take care of the lines that run to No. 1 border, No. 2 border and to the various other lamps such as small floods and small spotlights, which will be found necessary for different effects. Both No. 1 and No. 2 borders should have three circuits running into them for red, blue and green lamps, and there should be from four to six lamps on each circuit. These borders may be placed in any position from the front to the back of the stage that the setting may demand. A convenient place from which to suspend them is from the operating platform which is built over the complete length of the stage at such a height as to clear any set that may be used. The proscenium arch should be built of ⅞″ stock, preferably of white wood, because of the fine surface which it presents, if it is to be decorated. The upright sections of the arch should be at least as wide as those shown in the diagram, because they must carry the three circuits for the proscenium lights, the belt that raises and lowers the curtain, and also special lamps and appliances that will be found necessary for various types of production. The diagram shows one green, one blue, and one red outlet on the two sections on the top section of the arch, but it will be found very convenient to have at least two outlets for each of these colors on each of the three sections of the arch. [Illustration: DIAGRAMS FOR THE CONSTRUCTION OF A MARIONETTE STAGE] The curtain can be the ordinary window shade. After removing the spring, attach it to the face of the proscenium arch with ordinary window shade fixtures. It should be wide enough to lap well over each side of the arch, and the end which extends to the right of the proscenium opening should be sufficiently long to carry a 2″ belt for raising and lowering it. This belt can be of webbing and should be held taut near the bottom of the proscenium arch by a small roller, as shown in the diagram. It is necessary that this belt should be far enough to the right of the proscenium arch opening so the hand which raises and lowers the curtain will not be seen by the audience.