The outlets for the various circuits on this arch may be either keyed sockets or porcelain receptacles fastened to the face of the arch. Both for the sake of the better framing of the settings to be used on this stage and for more effectively masking off the sides and the top of the stage, it is a good plan to build all around the opening of the proscenium arch at right angles to it an inner proscenium which may run from 6 to 9 inches in width. This inner proscenium may be made of half-inch stock. If the inner proscenium is used, it will be necessary to hang the curtain sufficiently behind the face of the main proscenium so that it will clear the inner proscenium as it rises and falls. All circuits should lead to a switch-board on which small knife switches may be used. This switch-board should also carry several rheostats or dimmers. The more dimmers that are used the greater will be the possibilities in lighting. These dimmers can be made of special high wattage resistance wire, which can be obtained or ordered from any electrical dealer. In the making and wiring of the switch-board, it is, of course, necessary to obtain either a professional electrician or at least professional advice. BIBLIOGRAPHY BADIN, ADOLPHE. Les Marionettes de Maurice Sand. L’Art, 1885. CAINE, WILLIAM. Guignols in the Luxembourg. Oxford and Cambridge Review, 1910. CALTHROP, A. An Evening with the Marionette. The Theatre, 1884. CALVI, EMILIO. Marionettes of Rome. The Bellman, 1917. CHAMBERS, E. K. The Mediaeval Stage. Vol. II. COLLIER, JOHN PAYNE. The Tragical Comedy of Punch and Judy. CRAIG, GORDON. Articles in “The Mask” and “The Marionette.” CURTIS, ELNORA WHITMAN. Dramatic Instinct in Education. DELVAU, ALFRED. Le Théâtre Érotique Français sous le Bas-empire. DURANTY, LOUIS ÉMILE EDMOND. Théâtre des Marionettes du Jardin des Tuileries. ENGEL, CARL. Johann Faust. FEISE, E. The German Puppet Theatre. FERRIGNI, P. Storia dei Burattini. The Mask. FEWKES, JESSE WALTER. A Theatrical Performance at Walpe. Hopi Katchinas. FLÖGEL, KARL FRIEDERICH. Geschichte des Grotesk-Komischen. FRANCE, ANATOLE. On Life and Letters. II Series. GAYET, A. Oldest of Puppet Shows. Boston Transcript, Nov. 2, 1904. GLEASON, A. W. Last Stand of the Marionettes. Collier’s Weekly, 1909. HIRSCH, GILBERT. A Master of Marionettes. Harper’s Weekly, 1912. IRWIN, E. Where Players are Marionettes. The Craftsman, 1907. JACKSON, F. NEVILL. Toys of Other Days. JACOB, GEORG. Das Schattentheater in seiner Wanderung vom Morgenland zum Abendland. JEROME, L. B. Marionettes of Little Sicily. New England Magazine, 1910. JOLY, HENRI L. Random Notes on Dances, Masks, and the Early Forms of Theatre in Japan. JONES, HENRY FESTING. Diversions in Sicily, Castellinaria, or other Sicilian Diversions.