I sat the Chief Prophet upon my knee, crossly. His long arm protested
stiffly. I pulled the high hat down over his ominous brows. “It isn’t
right,” he said. It wasn’t. I took it off. How trying it must be for
him to have so clumsy a handmaiden. “Don’t pin it!” he commanded. “Rip
it and sew it neatly.” I picked up the scissors and ripped. Then I
sewed on in silence.
The marionettes, however, had many things to say.
“She is not as thorough as might be desired,” stated the Chamberlain.
“Indeed, I fear that in the manipulating also she is only an amateur
with no profound knowledge of the craft. Here am I, still dissatisfied
with the bow I make to His Majesty. I know just how I should bow. Who
would question my knowledge of etiquette? I shall not be content with
anything but _the correct_ bow, dignified and, in its way, imposing
as the nod of a King. It must be just so and not otherwise but _how
will she do it_? She has tried front strings and back strings and
innumerable petty expedients. She calls herself a puppeteer: let her
devise a way and that shortly! I scorn to display vexation but it
perturbs me not a little as the moment approaches for me to bow and the
bow, ahem ... refuses to function fittingly.”
“Try on the hat and do not be diverted by such details!” commands the
Chief Prophet. I sit him up seriously. “It will do,” he states; “trim
my whiskers.” I trim them, oh, very carefully. They hang augustly down
over his black stole. I gaze at him, entranced, and at his portrait
painted by a young artist. “I think you have caught the spirit of the
ideal,” he admitted. “Put me on the mantel.” I obey him.[1]
Next I take up the Spy. He writhes in my hand. I ply the paint brush,
more yellow paint on the yellow spots. True to prediction, his strings
become entangled. “I told you so,” hissed the green and yellow Spy.
“My spots will dry over night. You must arrange my strings tomorrow.”
I set him beside the Chief Prophet where he slinks down and subsides.
“Hee, hee, hee,” snickers the other Spy who has cerise spots of silk on
lavender. He is crouched on the floor in a heap. I raise him and place
him beside his fellow. He reaches out a long brown arm and pokes him
slyly.
Public-domain text, read in full here on John Shaqi.
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