The story of the Faust play has a tremendous appeal; it is a picture
of man’s vain desires and vain regrets. We find the scholar Faust
alone in his study, meditating over the wasted years of research and
the wisdom of this world which is so limited at best. He turns to the
black arts and summons up an evil spirit to serve him. In one version
of the puppet play Faust calls up numerous devils and decides to select
as his own particular servant the swiftest. Thereupon the evil spirits
describe their speed. One claims to be “as swift as the shaft of
pestilence”; the next is “as swift as the wings of the wind”; another
“as a ray of light”; the fourth “as the thought of man”; the fifth “as
the vengeance of the Avenger.” But the last, who is Mephistopheles,
is as swift “as the passage from the first sin to the second.” Faust
replies: “That is swift indeed. Thou art the devil for me.” Then he
signs the pact with his blood. A raven flies in and carries away the
message. Mephistopheles is bound for twenty-four years to provide Faust
with all the pleasures of this world and also _to answer truthfully
every question asked him_. In return Faust pledges his soul to the
devil at the expiration of the time.
Mephistopheles carries Faust to the court of the Count of Parma where
he entertains the count and countess with magical shows, calling up
Samson and Delilah, David and Goliath, Solomon and the Queen of Sheba.
Throughout the play Faust is always taken seriously; Kasperle supplies
the ludicrous element. His buffoonery is at times really amusing. As
an assistant of Faust’s servant Wagner, he meddles with magic, on his
own responsibility. Having picked up a few words of incantation, he
uses them according to his own pleasure; but Kasperle is wiser than his
master for he very shrewdly refuses to sign away his soul. However, he
has discovered that by pronouncing the potent syllables “Perlippe” he
can summon up demons and by saying “Perlappe” he can make them vanish.
Thereupon he amuses himself (and the audience) by reciting “Perlippe,
perlappe, perlippe, perlappe,” so often and in such quick succession
that the poor demons get quite out of breath and very irritable.
Public-domain text, read in full here on John Shaqi.
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