A book of martyrsComer, Cornelia A. P. (Cornelia Atwood Pratt)
General
A book of martyrs
Comer, Cornelia A. P. (Cornelia Atwood Pratt)
American fiction -- 19th century; Short stories, American
“‘I saw her first,’ he said, looking at the paler opal, as if it was
of that he spoke, ‘on the street in Florence. It was a day in April,
and the air was liquid gold. She was looking at the Campanile, as if
she were akin to it. It was the friendly grace of one lily looking
at another. Later, I met her as one meets other people, and was
presented to her. And after that the days went fast. I think she was
the sweetest woman God ever made. I sometimes wonder how He came to
think of her. Whatever you may have missed in life,’ he said, lifting
calm eyes to mine, and smiling a little, ‘you whose aspect is so
sweet, decorous, and depressing, whose griefs, if you have griefs,
are the subtle sorrows of the old and unimpassioned’--I remember
his phrases literally. I thought them striking and descriptive,”
confessed Hayden--“‘I hope you have not missed that last touch of
exaltation which I knew then. It is the most exquisite thing in life.
The Fates must hate those from whose lips they keep that cup.’ He mused
awhile and added, ‘There is only one real want in life, and that is
comradeship--comradeship with the divine, and that we call religion;
with the human, and that we call love.’
“‘Your definitions are literature,’ I ventured to suggest, ‘but they
are not fact. Believe me, neither love nor religion is exactly what you
call it. And there are other things almost as good in life, as surely
you must know. There is art, and there is work which is work only, and
yet is good.’
“‘You speak from your own experience?’ he said, simply.
“It was a home thrust. I did not, and I knew I did not. I am sixty-five
years old, and I have never known just that complete satisfaction which
I believe arises from the perfect performance of distasteful work. I
said so. He smiled.
“‘I knew it when I set my eyes upon you, and I knew you would listen
to me and my vaporing. Your sympathy with me is what you feel toward
all forms of weakness, and in the last analysis it is self-sympathy.
You are beautiful, not strong,’ he added, with an air of finality, ‘and
I--I am like you. If I had been a strong man.... Christ!’
“I enjoyed this singular analysis of myself, but I wanted something
else.
“‘You were telling me of the opals,’ I suggested.
Public-domain text, read in full here on John Shaqi.
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