A book of martyrsComer, Cornelia A. P. (Cornelia Atwood Pratt)
General
A book of martyrs
Comer, Cornelia A. P. (Cornelia Atwood Pratt)
American fiction -- 19th century; Short stories, American
“It is just around this rock that juts out in front. Is your head
steady? It falls off sheer below and the path is narrow.”
“Go on,” he said, and set his teeth.
The path was steep as well as narrow, and the descent below was sheer
and far. Mid-way around the rocks a mist came over his eyes. He put up
his hand, stumbled, fell forward and out, was dimly aware that he had
fallen against his guide.
A crash and cry awoke the echoes of the canyon. Then silence settled
over it again--dead silence--and the night came down.
Their bodies were not found until three days later. When the Eastern
detectives had identified their man they proposed his burial, but
Wilson turned from the place with the muscles of his throat working
with impotent emotion, and a grim look about his mouth that lifted his
lips like those of a snarling beast.
“Carrion! Let it lie,” he said, with so dark a face that the men
followed him silently, saying nothing more, and the two were left lying
upon the ground which had drunk with impartial thirst the current that
oozed from their jagged wounds.
The suspicions of primitive men are of a primitive nature. Those three
days in which nothing had been seen or heard of his wife or Forbes had
been a long agony to Wilson. And now that the end had come it seemed
to him that his basest suspicions were confirmed. To his restricted
apprehension there was but one passion in the world that could have
sent his wife to this stranger’s side, to guard and save him at her
cost. So thinking, it seemed to him that swift justice had been done.
And that he might not forget, nor let his fierce thoughts of her grow
more tender, the next day when the train had gone eastward and he was
left alone to his desolation he took his brush and laboriously wrote
across the end of the high platform, in great letters for all men to
see and wonder at, the phrase he thought her fitting epitaph:
THE WAGES OF SIN IS DEATH.
And there it still stands, remaining in its stupid, brutal accusation
the sole monument on earth of a woman’s ended life.
HARDESTY’S COWARDICE
I
Public-domain text, read in full here on John Shaqi.
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