When the tubular bridge for the railway was built it was considered that a prophecy made by a Welsh bard had been fulfilled, wherein he spoke of rising from his bed in Mona, of breakfasting in Chester, of lunching in Ireland, and of returning to sup in Mona. But the required speed to Ireland has not yet been attained. Another meaning or interpretation has been put on the words of Robyn Ddu. He was living at Holyhead when he wrote the lines in question, and there were two boats by the quay, one from Chester and the other from Dublin, and he breakfasted with the captain at his table in the first boat, took his midday meal in the cabin of the second, and returned to his own quarters to sup and sleep. Beaumaris is a sleepy little place, only waking to life when the bathing season sets in. The castle was erected by Edward I., and took its name from its situation on the Fair Marsh. It is not a particularly striking building, and is far gone in ruin. The church, however, which is of the same period, and due to Edward I., is worth a visit. The side aisles contain five two-light Decorated windows. The chancel is Late Perpendicular, with a very poor east window containing some fragments of stained glass. The arcade of the church is Perpendicular. In the vestry are Bulkeley monuments, removed at the Dissolution from Penmon. From Beaumaris a delightful excursion may be made to Penmon, which was a great nursery of saints for Gwynedd. It would be hard to find anywhere a sweeter or sunnier spot. The hills fold around the little dell in which lies the church, shutting off the gales from north and east and west, and open only to the south to let in the sun. Unhappily a marble quarry is close by, and is eating into one of the arms that is wrapped lovingly about the old site, and will in time eat its way through. In the combe, among ancient walnut and chestnut trees and flowering elder, are some relics of the monastery and its Norman priory church. The foundation of the cloister may be traced. The church is cruciform, and is aisleless. The south transept contains rich Norman arcades, and the arch into this transept is of the same period and of equal richness. A square font in the nave, covered with interlaced and key work, is the base of an old Celtic cross. A Norman doorway on the south side gives admission to the nave. This has knotwork and a monster biting its tail in the tympanum. The chancel is three steps below the level of the nave. A fine cross is in the south transept, taken out of the ruins of the priory, where it had served as lintel to a mediæval window.