in "The Two Gentlemen of Verona"; he visits his lady's chamber window, not at night, but at early dawn, with a "sweet concert," and to the instruments of Fiorello's musicians tunes "a deploring dump." It is the cavatina "Ecco ridente in cielo." The musicians, rewarded by Almaviva beyond expectations, are profuse and long-winded in their expression of gratitude, and are gotten rid of with difficulty. The Count has not yet had a glimpse of Rosina, who is in the habit of breathing the morning air from the balcony of her prison house, and is about to despair when Figaro, barber and Seville's factotum, appears trolling a song in which he recites his accomplishments, the universality of his employments, and the great demand for his services. ("Largo al factotum dello città.") The Count recognizes him, tells of his vain vigils in front of Rosina's balcony, and, so soon as he learns that Figaro is a sort of man of all work to Bartolo, employs him as his go-between. Rosina now appears on the balcony. Almaviva is about to engage her in conversation when Bartolo appears and discovers a billet-doux which Rosina had intended to drop into the hand of her Lindoro. He demands to see it, but she explains that it is but a copy of the words of an aria from an opera entitled "The Futile Precaution," and drops it from the balcony, as if by accident. She sends Bartolo to recover it, but Almaviva, who had observed the device, secures it, and Bartolo is told by his crafty ward that the wind must have carried it away. Growing suspicious, he commands her into the house and goes away to hasten the preparations for his wedding, after giving orders that no one is to be admitted to the house save Don Basilio, Rosina's singing-master, and Bartolo's messenger and general mischief-maker.