A Book of Operas: Their Histories, Their Plots, and Their MusicKrehbiel, Henry Edward
History
A Book of Operas: Their Histories, Their Plots, and Their Music
Krehbiel, Henry Edward
Operas -- Stories, plots, etc.
A lad, hotfoot in pursuit of a wild swan which one of his arrows has
pierced, finds himself in a forest glade on the side of a mountain.
There he meets a body of knights and esquires in attendance on a
king who is suffering from a wound. The knights are a body of men
whose mission it is to succor suffering innocence wherever they may
find it. They dwell in a magnificent castle on the summit of the
mountain, within whose walls they assemble every day to contemplate
and adore a miraculous vessel from which they obtain both physical
and spiritual sustenance. In order to enjoy the benefits which flow
from this talisman, they are required to preserve their bodies in
ascetic purity. Their king has fallen from this estate and been
grievously wounded in an encounter with a magician, who, having
failed in his ambition to enter the order of knighthood, had built
a castle over against that of the king, where, by practice of the
black art and with the help of sirens and a sorceress, he seeks the
ruin of the pure and celestial soldiery. In his hands is a lance
which once belonged to the knights, but which he had wrested from
their king and with which he had given the dolorous stroke from
which the king is suffering.
The healing of the king can be wrought only by a touch of the lance
which struck the wound; and this lance can be regained only by one
able to withstand the sensual temptations with which the evil-minded
sorcerer has surrounded himself in his magical castle. An oracle,
that had spoken from a vision, which one day shone about the
talisman, had said that this deliverer fool, an innocent simpleton,
pity had made knowing:--
[Musical excerpt--"Durch mitleid wissend, der reine Thor, harre sein'
den ich erkor." THE ORACLE]
For this hero king and knights are waiting and longing, since
neither lotions nor baths nor ointments can bring relief, though
they be of the rarest potency and brought from all the ends of the
earth. The lad who thus finds himself in this worshipful but woful
company is himself of noble and knightly lineage. This we learn from
the recital of his history, but also from the bright, incisive,
militant, chivalresque music associated with him:--
[Musical excerpt--THE SYMBOL OF PARSIFAL]
But he has been reared in a wilderness, far from courts and the
institutions of chivalry and in ignorance of the world lying beyond
his forest boundaries. His father died before he was born, and his
mother withheld from him all knowledge of knighthood, hoping thus
to keep him for herself. One day, however, he saw a cavalcade of
horsemen in brilliant trappings. The spectacle stirred the chivalric
spirit slumbering within him; he deserted his mother, followed after
the knights, and set out in quest of adventure. The mother died:--
[Musical excerpt--THE SYMBOL OF HERZELEIDE]
Public-domain text, read in full here on John Shaqi.
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