A Book of Operas: Their Histories, Their Plots, and Their MusicKrehbiel, Henry Edward
History
A Book of Operas: Their Histories, Their Plots, and Their Music
Krehbiel, Henry Edward
Operas -- Stories, plots, etc.
The king, whom the lad had seen in the glade, is borne in on a
litter, before him a veiled shrine containing the mystical cup which
is the object of the ceremonious worship. It is the duty of the
king to unveil the talisman and hold it up to the adoration of the
knights. He is conveyed to a raised couch and the shrine is placed
before him. His sufferings of mind and body are so poignant that
he would liever die than perform his office; but the voice of his
father (Titurel), who had built the sanctuary, established the order
of knighthood, and now lives on in his grave sustained by the sight
of the talisman, admonishes the king of his duty. At length he
consents to perform the function imposed upon him by his office. He
raises himself painfully upon his couch. The attendants remove the
covering from the shrine and disclose an antique crystal vessel
which they reverently place before the lamentable king. Boys' voices
come wafted down from the highest height of the dome, singing a
formula of consecration: "Take ye my body, take my blood in token
of our love":--
[Musical excerpt--THE LOVE-FEAST FORMULA]
A dazzling ray of light flashes down from above and falls into the
cup, which now glows with a reddish purple lustre and sheds a soft
radiance around. The knights have sunk upon their knees. The king
lifts the luminous chalice, moves it gently from side to side, and
thus blesses the bread and wine provided for the refection of the
knights. Meanwhile, celestial voices proclaim the words of the
oracle to musical strains that are pregnant with mysterious
suggestion.
Another choir sturdily, firmly, ecstatically hymns the power
of faith:--
[Musical excerpt--THE SYMBOL OF FAITH]
and, at the end, an impressive antiphon, starting with the knights,
ascends higher and higher, and, calling in gradually the voices of
invisible singers in the middle height, becomes metamorphosed into
an angelic canticle as it takes its flight to the summit. It is
the voice of aspiration, the musical symbol of the talisman which
directs the thoughts and desires of its worshippers ever upward:--
[Musical excerpt--THE SYMBOL OF THE HOLY GRAIL]
The lad disappoints his guide. He understands nothing of the solemn
happenings which he has witnessed, nor does he ask their meaning,
though his own heart had been lacerated with pain at sight of the
king's sufferings. He is driven from the sanctuary with contumely.
He wanders forth in quest of further adventures and enters the
magical garden surrounding the castle of the sorcerer. A number of
knights who are sent against him he puts to rout. Now the magician
summons lovely women, clad in the habiliments of flowers, to seduce
him with their charms:--
[Musical excerpt--KLINGSOR'S INCANTATION]
They sing and play about him with winsome wheedlings and cajoleries,
with insinuating blandishments and dainty flatteries, with pretty
petulancies and delectable quarrellings:--
Public-domain text, read in full here on John Shaqi.
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