The story--The oracle--The musical symbol of Parsifal--Herzeleide-- Kundry--Suffering and lamentation--The bells and march--The eucharistic hymn--The love-feast formula--Faith--Unveiling of the Grail--Klingsor's incantation--The Flower Maidens--The quest of the Holy Grail--Personages and elements of the legend--Ethical idea of Wagner's drama--Biblical and liturgical elements--Wagner's aim--The Knights Templars--John the Baptist, Herodias, and the bloody head-- Relics of Christ's sufferings--The Holy Grail at Genoa--The sacred lances at Nuremberg and Rome--Ancient and mediaeval parallels of personages, apparatuses, and scenes--Wagner's philosophy--Buddhism-- First performances of "Parsifal" in Bayreuth and New York, (footnote). Chapter XV "Die Meistersinger von Nürnberg" "Ridendo castigat mores"--Wagner's adherence to classical ideals of tragedy and comedy--The subject of the satire in "Die Meistersinger" --Wagenseil's book on Nuremberg--Plot of the comedy--The Church of St. Catherine in Nuremberg--A relic of the mastersingers--Mastersongs in the Municipal Library--Wagner's chorus of mastersingers, (footnote) --A poem by Sixtus Beckmesser--The German drama in Nuremberg--Hans Sachs's plays--His Tannhäuser tragedy--"Tristram and Iseult"--"The Wittenberg Nightingale" and "Wach' auf!"--Wagner's quotation from an authentic mastersong melody--Romanticism and classicism--The prelude to "Die Meistersinger." Chapter XVI "Lohengrin" Wolfram von Eschenbach's story of Loherangrin--Other sources of the Lohengrin legend--"Der jüngere Titurel" and "Le Chevalier au Cygne" --The plot of Wagner's opera--A mixture of myths--Relationship of the Figaro operas--Contradictions between "Lohengrin" and "Parsifal" --The forbidden question--Wagner's love of theatrical effect--The finale of "Tannhäuser,"--The law of taboo in "Lohengrin"--Jupiter and Semele--Cupid and Psyche--The saga of Skéaf--King Henry, the Fowler. Chapter XVII "Hänsel und Gretel" Wagner's influence and his successors--Engelbert Humperdinck--Myths and fairy tales--Origin of "Hänsel und Gretel"--First performances-- An application of Wagnerian principles--The prelude--The Prayer Theme --The Counter-charm--Theme of Fulfilment--Story of the opera--A relic of an old Christmas song--Theme of the Witch--The Theme of Promise-- "Ring around a Rosy"--The "Knusperwalzer." CHAPTER I "IL BARBIERE DI SIVIGLIA"