Joyce had often seen people kiss her mother's hand, and had thought, as she watched the delightful process, how much she should enjoy it, when her own turn came. She knew better now: it was not a delightful process at all, it was simply hateful. A new Joyce suddenly woke up within her, a frightened, angry Joyce, who wanted to run away and hide. All her new-born dignity vanished in a moment. Scarcely waiting for her father's amused permission: 'There then, maiden, haste to thy mother: she has news for thee'--she flew along the terrace and in at the hall door. As she fled up the oak staircase that led to her mother's withdrawing-room, she vainly tried to shut her ears to the sounds of laughter that floated after her from the terrace below. Madam Purefoy was seated, half hidden behind her big, upright embroidery frame, in one of the recesses formed by the high, deeply mullioned windows. Thin rays of autumn sunshine filled the tapestried room with pale, clear light. There was no possibility of mistaking the colours of the silks that lay in their varied hues close under her hand. Why, then, had this skilful embroideress deliberately threaded her needle with a shade of brilliant blue silk? Why was she carefully using it to fill in a lady's cheek without noticing, apparently, that anything was wrong? Yet, at the first sound of Joyce's light footfall on the stairs she laid down her needle and listened, and held out her arms, directly her daughter appeared, flushed and agitated, in the doorway, waiting for permission to enter. Mothers were mothers, it seems, even in the seventeenth century. In another minute Joyce was in her arms, pouring out the whole history of the morning. By this time Snowball's lameness had faded behind the remembrance of the encounter on the terrace. 'Who is that man, mother? A courtier, I know, since he wears such beautiful clothes. But wherefore comes he here? I thought I liked him, until he kissed my hand and laughed at me, and then I detested him. I hope I shall never see him again.' And she hid her face. Before speaking, Mistress Purefoy left her seat and carefully closed the casement, in order that their voices might not reach the ears of anyone on the terrace below. Then, taking Joyce on her knee as if she had been still a child, she explained to her that the stranger, Sir Everard Danvers, was a well-known and favourite attendant of the Queen's. 'And it is by her wish that he comes hither for thee, Mignonne.' 'For me?' Joyce grew rosier than ever; 'I am too young yet to be a Maid of Honour as thou wert in thy girlhood. What does her Majesty know about me?' she questioned.