Cévennes Mountains (France); France -- Description and travel
"On ascending the river of Chassezac, on top of the precipice
one can reach the Grotte of the Chouans. One descends, or rather
jumps, down to it, where it opens on a precipice with a ledge
before it. Down to this cave one has to climb with difficulty. It
divides into several galleries, that are lighted by small cracks,
visible at the height of one hundred feet above the Chassezac.
It was in this grotto that seven Royalists, who had fled to it,
were taken by means of fires of straw and sulphur lighted in the
entrance. They were shot at a little distance from it. One only,
Gavidel, managed to escape, having managed to breathe through the
barrel of his gun, which he had unscrewed and thrust through one
of the cracks I have mentioned."
Near the entrance to the wood is the group that goes by the name of the
Lion and the Bear, already mentioned. There is a Lot's Wife, there is a
nun, a sphynx, and so on. The Castle of the Trois Seigneurs does seem
actually to have possessed a little fortress, built in and out among
the spires of rock, for fragments of wall are worked into the fissures
and surmount some of the points.
But perhaps the most remarkable spot is the Cros de la Perdrix, where
the limestone is in a craggy jumble of all kinds of forms.
One enters this sort of fortified circus with precipitous sides by
a noble rock, pierced by a natural arch, at the entry to a cleft,
something like that of Gleyzasse—already described.
If we follow the edge of the ravine of the Chassezac we see the river
gliding smoothly below through green pastures between sheer walls. On
the promontory of Cornillon are the remains of an ancient village.
At the north-west of the wood is the hermitage of S. Eugène, at the
fringe of the forest. It is as though suspended above the valley,
standing on the limestone, which here lies in narrow, almost horizontal
beds. Architecturally it is nothing. Only a poor, ruinous, abandoned
structure; no hermit has occupied it for many years.
Public-domain text, read in full here on John Shaqi.
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