Of the scenery of his time, Mr. Pepys makes frequent mention, without, however, entering much into particulars on the subject. In August, 1661, he notes the reproduction of Davenant's comedy of "The Wits," "never acted yet with scenes;" adding, "and, indeed, it is a most excellent play and admirable scenes." A little later he records a performance of "'Hamlet, Prince of Denmark,' done with scenes very well, but, above all, Betterton did the prince's part beyond imagination." It is satisfactory to find that in this case, at any rate, the actor held his ground against the scene-painter. Under another date, he refers to a representation of "The Faithful Shepherdess" of Fletcher, "a most simple thing, and yet much thronged after and often shown; but it is only for the scene's sake, which is very fine." A few years later he describes a visit "to the King's Playhouse all in dirt, they being altering of the stage, to make it wider. But my business," he proceeds, "was to see the inside of the stage, and all the 'tiring-rooms and machines; and, indeed, it was a sight worth seeing. But to see their clothes, and the various sorts, and what a mixture of things there was--here a wooden leg, there a ruff, here a hobby-horse, there a crown, would make a man split himself to see with laughing; and particularly Lacy's wardrobe and Shotrell's. But then, again, to think how fine they show on the stage by candlelight, and how poor things they are to look at too near at hand, is not pleasant at all. The machines are fine, and," he concludes, "the paintings very pretty." In October, 1667, he records that he sat in the boxes for the first time in his life, and discovered that from that point of view "the scenes do appear very fine indeed, and much better than in the pit."