The names of the artists whose works won Mr. Pepys's applause have not come down to us. Of Robert Streeter, sergeant-painter to King Charles II., there is frequent mention made in the "Diary" of Evelyn, who highly lauds the artist's "very glorious scenes and perspectives," which adorned Dryden's play of "The Conquest of Granada," on its representation at Whitehall. Evelyn, not caring much for such entertainments, seems, nevertheless, to have frequently attended the plays and masques of the Court. In February, 1664, he saw acted "The Indian Queen" of Sir Robert Howard and Dryden--"a tragedy well written, so beautiful with rich scenes as the like had never been seen here, or haply (except rarely) elsewhere on a mercenary theatre." At a later date, one Robert Aggas, a painter of some fame, is known to have executed scenes for the theatre in Dorset Garden. Among other scene-painters of distinction, pertaining to a comparatively early period of the art, may be noted Nicholas Thomas Dall, a Danish landscape-painter, who established himself in London in 1760, was long occupied as scene-painter at Covent Garden Theatre, and became an Associate of the Royal Academy in 1771; Hogarth, who is reported to have painted a camp scene for the private theatre of Dr. Hoadley, Dean of Winchester; John Richards, a member of the Royal Academy, who, during many years, painted scenes for Covent Garden; Michael Angelo Rooker, pupil of Paul Sandby, and one of the first Associates of the Academy, who was scene-painter at the Haymarket; Novosielsky, the architect of the Opera House, Haymarket, who also supplied that establishment with many notable scenes, and, to pass over many minor names, De Loutherbourg, Garrick's scene-painter, and one of the most renowned artists of his period.