A Book of the Play: Studies and Illustrations of Histrionic Story, Life, and CharacterCook, Dutton
History
A Book of the Play: Studies and Illustrations of Histrionic Story, Life, and Character
Cook, Dutton
Theater -- Great Britain -- History
The Examiner of Plays has long been recognised as a more permanent
functionary than the Lord Chamberlain, although it would seem the
precise nature of his appointment has never been clearly understood.
"I believe," said Mr. Donne, the late Examiner, in his evidence before
the Parliamentary Committee of 1866, "that it is an appointment that
expires with the sovereign (at least, I infer so from the evidence
which Mr. Colman gave in the year 1833), but I cannot say that from my
own knowledge: I believe it to be an appointment for life."
In truth, the Examiner is simply the employe of the Chamberlain,
appointed by him, and holding the office only so long as the superior
functionary shall deem fitting. There is no instance on record,
however, of the displacement of an Examiner, or of the cancelling by
one Chamberlain of the appointment made by his predecessor. Power of
this kind, however, would seem to be vested in the Chamberlain for the
time being. Colman's evidence, it may be noted, is of no present
worth. He was appointed as a consequence of the old Licensing Act,
repealed in 1843.
The first Licenser of Plays sworn in after the passing of the
Licensing Act of 1737 was William Chetwynd, with a salary of L400
a-year. But this deputy of the Chamberlain was in his turn allowed a
deputy, and one Thomas Odell was appointed assistant examiner, with a
salary of L200 a-year. Strange to say, it was this Odell who had first
opened a theatre in Goodman's Fields, which, upon the complaint of the
civic authorities, who believed the drama to be a source of danger to
the London apprentices of the period, he had been compelled forthwith
to close. He applied to George II, for a royal license, but met with a
peremptory refusal. In 1731 he sold his property to one Giffard, who
rebuilt the theatre, and, dispensing with official permission,
performed stage plays between the intervals of a concert, until
producing Garrick, and obtaining extraordinary success by that
measure, he roused the jealousy of the authorities, and was compelled
to forego his undertaking.
Public-domain text, read in full here on John Shaqi.
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