A Brief History of the English Language and Literature, Vol. 2Meiklejohn, J. M. D. (John Miller Dow)
Philosophy
A Brief History of the English Language and Literature, Vol. 2
Meiklejohn, J. M. D. (John Miller Dow)
English language -- History; English literature -- History and criticism
8. ROBERT BROWNING, the most daring and original poet of the century,
was born in Camberwell, a southern suburb of London, in the year 1812.
He was privately educated. In 1836 he published his first poem
+Paracelsus+, which many wondered at, but few read. It was the story of
a man who had lost his way in the mazes of thought about life,-- about
its why and wherefore,-- about this world and the next,-- about himself
and his relations to God and his fellow-men. Mr Browning has written
many plays, but they are more fit for reading in the study than for
acting on the stage. His greatest work is +The Ring and the Book+; and
it is most probably by this that his name will live in future ages. Of
his minor poems, the best known and most popular is +The Pied Piper of
Hamelin+-- a poem which is a great favourite with all young people, from
the picturesqueness and vigour of the verse. The most deeply pathetic of
his minor poems is +Evelyn Hope+:--
“So, hush,-- I will give you this leaf to keep--
See, I shut it inside the sweet cold hand,
There! that is our secret! go to sleep;
You will wake, and remember, and understand.”
9. +Browning’s Style.+-- Browning’s language is almost always very hard
to understand; but the meaning, when we have got at it, is well worth
all the trouble that may have been taken to reach it. His poems are more
full of thought and more rich in experience than those of any other
English writer except Shakspeare. The thoughts and emotions which throng
his mind at the same moment so crowd upon and jostle each other, become
so inextricably intermingled, that it is very often extremely difficult
for us to make out any meaning at all. Then many of his thoughts are so
subtle and so profound that they cannot easily be drawn up from the
depths in which they lie. No man can write with greater directness,
greater lyric vigour, fire, and impulse, than Browning when he chooses--
write more clearly and forcibly about such subjects as love and war; but
it is very seldom that he does choose. The infinite complexity of human
life and its manifold experiences have seized and imprisoned his
imagination; and it is not often that he speaks in a clear, free voice.
Public-domain text, read in full here on John Shaqi.
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