A Brief History of Wood-engraving From Its InventionCundall, Joseph
History
A Brief History of Wood-engraving From Its Invention
Cundall, Joseph
Wood-engraving -- History
Apocalypsis Sancti Johannis.--This work consists of forty-eight pages of
woodcuts about ten and a-half inches high by seven and a-half broad,
printed in ink or distemper of a greyish-brown tint on thick paper on one
side only. Each page is equally divided into two subjects, taken from the
Apocalypse, one above the other. The cuts are engraved in the simplest
manner, without any attempt at shading, as will be seen on examination of
our print, which forms the first page of the book. In the upper half St.
John is addressing three men and one woman. The words in the label Conversi
ab idolis per predicationem beati Johannis Drusiana et ceteri are literally
'Drusiana and the others are converted from idols by the preaching of the
blessed John.' The letter a indicates page 1. In the lower half we see St.
John baptizing Drusiana in a very small font in a small chapel; outside are
six ill-looking men trying to peep in through the chinks of the door. Over
the chapel are the words Sanctus Johannes baptisans, and over the men
Cultores ydolorum explorantes facta ejus, literally, 'Worshippers of Idols
spying on his acts.' Two of the idolaters are armed with hatchets, as if
they intended to break open the door. [The Latin words, in accordance with
the usual practice of the monks, are contracted in a manner very puzzling
to those unused to these mediæval writings.] There are several editions of
the Apocalypsis, all apparently of German origin. {17}
[Illustration: APOCALYPSIS SANCTI JOHANNIS
_One of the earliest of the Block Books_]
{18}
Many bibliographers, treating of block books and arguing from the very
simple style of the drawings and engravings, consider that the
'Apocalypsis' was the first that was produced. Many worse woodcuts were
issued in the eighteenth century. It would be very hazardous indeed to fix
a date by the quality of woodcut illustrations.
In order to assist our readers in reading the text printed with the early
woodcuts, we give them a key to the most usual abbreviations of Monkish
Latin.
*************************************************************************
** Transcriber's note: In paragraph 1. [-e] denotes a letter with a **
** straight line over (or through the riser), [~e] the same with a **
** tilde-like curve. **
*************************************************************************
1. A right line, thus (-), and a curve, thus (~), placed horizontally over
a letter, denote: (-) 1st, over a vowel in the middle or end of a word,
that _one letter_ is wanting, _e.g._ v[-e]d[-a]t=_vendant_,
bon[-u]=_bonum_, terr[-a]=_terram_. (~) 2nd, above or through a letter=the
omission of _more than one letter_, e.g. a[~i]a=_anima_, a[~l]r=_aliter_,
a[~l]ia=_animalia_, abla[~c]o=_ablatio_, Winto[~n]=Wintonia,
no[~b]=_nobis_, &c. A straight line through a consonant also denotes the
omission of one or more letters, _e.g._ vo[-b]=_vobis_, q[-d]=_quod_, &c.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account