A Brief History of Wood-engraving From Its InventionCundall, Joseph
History
A Brief History of Wood-engraving From Its Invention
Cundall, Joseph
Wood-engraving -- History
A reproduction of this book was issued a few years since by the Holbein
Society. The designs were copied in careful pen-and-ink drawings by Mr. F.
Price, and the text was translated and the pictures described by Mr. George
Bullen, who also wrote a learned preface, enumerating the various editions
of the book which are known to have been printed in different languages.
Weigel printed a photographic reproduction of this book in 1869. {22}
The 'Ars Moriendi' was the most popular of all the block books. Before the
end of the fifteenth century eight different editions had been issued,
seven of them in Latin and one in French. M. Passavant states that he had
met with thirty different imitations of it issued in Germany and Holland.
There is but one quite perfect copy of the first edition of this book
known, and this fortunately is in the British Museum. It was bought at the
Weigel sale in Leipsic in 1872 for the large sum of £1,072 10s., exclusive
of commission.
Canticum Canticorum.--The Church's Love unto Christ prefigured in 'The Song
of Songs which is Solomon's.' This is a much more pleasing book than the
'Apocalypsis.' The figures are more gracefully designed and the engraver
has shown much more knowledge of his art; the indications of shading are in
many instances very happily given. It consists of only sixteen leaves with
two subjects, one above the other on each leaf; each picture is five inches
high by seven wide, and is printed by means of friction in dark-brown ink
or distemper, on thick paper.
Our illustration is from the second leaf. In the upper subject we see the
Bride and Bridegroom conversing, two maidens attending. The words on the
scroll on the left are Trahe me: post te curremus in odorem unguentorum
tuorum, 'Draw me, we will run after thee: because of the savour of thy good
ointments' (Song of Solomon, ch. i., v. 4 and 3). On the scroll to the
right, Sonet vox tua in auribus meis, vox enim tua dulcis et facies tua
decora, 'Let me hear thy voice, for sweet is thy voice and thy countenance
is comely' (Song of Solomon, ch. ii., verse 14). In the lower subject, in
which the Bride is seen seated by her maidens and the Bridegroom is
standing near, on the left-hand scroll we read, En dilectus meus loquitur
mihi, Surge, propera, amica mea, 'My beloved spake and said unto me, Rise
up, my love, my fair one, and come away' (ch. ii., verse 10); and on the
right, Quam pulchra es amica mea, quam pulchra es! oculi tui columbarum,
absque eo quod intrinsecus latet, 'How beautiful art thou, my love, how
beautiful art thou! thy eyes are doves' eyes, besides what is hid within'
(ch. iv. 1). {23}
[Illustration: CANTICUM CANTICORUM--SECOND LEAF
(_Much reduced_)]
{24}
Public-domain text, read in full here on John Shaqi.
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