A Brief History of Wood-engraving From Its InventionCundall, Joseph
History
A Brief History of Wood-engraving From Its Invention
Cundall, Joseph
Wood-engraving -- History
In his 'History of Wood-engraving,' Mr. Chatto gives his opinion about the
cuts of this period:--'Although I am inclined to believe that within the
fifteenth century there were no persons who practised wood-engraving in
this country as a distinct profession, yet it by no means follows from such
an admission that Caxton's and De Worde's cuts must have been engraved by
foreign artists. The manner in which they are executed is so coarse that
they might have been cut by any person who could handle a graver. Looking
at them merely as specimens of wood-engraving, they are not generally
superior to the practice-blocks cut by a modern wood-engraver's apprentice
within the first month of his novitiate.'
Soon there were other printers in London. Richard Pynson began to publish
books from his own press in Fleet Street. His first book illustrated with
woodcuts appears to have been 'The Canterbury Tales,' printed before 1493.
In the following year Pynson issued Lydgate's 'Falle of Princis' with
numerous small woodcuts by a master-hand, which appear too good to be
English.
{67}
[Illustration: 'FYSHYNGE WYTH AN ANGLE'
(_From 'The Book of St. Albans,' printed by Wynkyn de Worde in 1496_)]
For a 'Sarum Missal' of 1500, he used some beautifully engraved borders and
ornaments, as well as a large cut of Archbishop Morton's coat of arms.
Another of his important works was Lord Berners' translation of Syr John
Froissart's 'Cronycles of Englande, Fraunce, Spayne, &c.' We give a {68}
copy of Pynson's 'Mark,' but we fear both this and De Worde's were engraved
on the Continent.
[Illustration: RICHARD PYNSON'S MARK]
In 1498, Julian Notary established an office from which twenty-three books
have been traced. Many of them have curious woodcuts, some of which seem to
have descended to him from Caxton and Wynkyn de Worde. We find the
decoration of the covers of Notary's works mentioned with approval in the
early history of book-binding, which arrived at a much greater perfection
than wood-engraving in this country at the close of the fifteenth century.
* * * * *
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CHAPTER VIII
_IN GERMANY IN THE SIXTEENTH CENTURY_
Public-domain text, read in full here on John Shaqi.
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