A Brief History of Wood-engraving From Its InventionCundall, Joseph
History
A Brief History of Wood-engraving From Its Invention
Cundall, Joseph
Wood-engraving -- History
[Illustration: THE GATE OF FAME
(_From the 'Triumphal Arch' by Albrecht Dürer. Engraved by Jerome Andre._)]
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The 'Triumphal Car,' also designed by Dürer at the suggestion of Stabius,
is a richly decorated chariot drawn by six pairs of horses. In it the
Emperor in his imperial robes is seated under a canopy amid allegorical
figures representing Justice, Truth, Clemency, Temperance, and the like,
who offer to him triumphal wreaths. Over the canopy is an inscription: quod
. in . celis . sol . Hoc . in . terra . Caesar . est. The Car is driven by
Reason with Reins of Nobility and Power, and the horses are guided by
female figures of Swiftness, Prudence, Boldness, and similar equine
virtues. The whole of the design is seven feet four inches in length and
about a foot and a half in height.
To modern eyes the car is not prepossessing, the figures of the attendant
damsels are by no means elegant, and the horses would not, we fear, meet
with the approval of English critics. It brings to us a reminiscence of the
funeral car of the Duke of Wellington, which, we remember, was designed by
a German artist. Some parts of the decorations are excellent and the whole
is well engraved.
The 'Triumphal Procession' is still more important. It consists of a series
of one hundred and thirty-five large cuts, which, joined together, would
cover in length one hundred and seventy-five feet (upwards of 58 yards!) A
herald, mounted on a fantastic, four-footed winged gryphon, leads the
procession; next follow two led horses bearing a tablet with these words,
doubtless by Stabius: 'This Triumph has been made for the praise and
everlasting memory of the noble pleasures and glorious victories of the
most serene and illustrious prince and lord, Maximilian, Roman Emperor
elect, and head of Christendom, King and Heir of seven Christian kingdoms,
Archduke of Austria, Duke of Burgundy and of other grand principalities and
provinces of Europe.' More horses follow, then come falconers with hawks on
their wrists, hunters of the chamois and the bear, behind them are elks and
buffaloes, richly caparisoned stags four abreast, and camels drawing
decorated chariots in which ride the musicians.
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[Illustration: HORSEMEN, THREE ABREAST, WITH BANNERS
(_From 'The Triumphal Procession' by Burgkmair. Cut by Dienecker and other
engravers_)]
The Emperor's favourite jester, Conrad von der Rosen, follows on horseback,
bearing an immense flag; then come fools, fencing-masters, and soldiers of
all kinds armed for every service, horsemen three abreast, with banners
inscribed with the names of the great battles which the Emperor had won,
cars filled with trophies taken from conquered nations, among them the
'Savages of Calicut'--natives of India--one of them riding a huge elephant,
and numerous other figures filled up the immense length of the engraving.
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[Illustration: THE SAVAGES OF CALICUT
(_From 'The Triumphal Procession' by Burgkmair. Cut by Dienecker and other
engravers_)]
Public-domain text, read in full here on John Shaqi.
A Brief History of Wood-engraving From Its Invention — John Shaqi
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