A Budget of Paradoxes, Volume IDe Morgan, Augustus
Philosophy
A Budget of Paradoxes, Volume I
De Morgan, Augustus
Circle-squaring; Perpetual motion; Science -- Miscellanea; Trisection of angle
"There is something to be said for this system, and something against it--I
mean simply on its own merits. But the all-conquering argument in its favor
is, that the only practicable alternative is the modern French plan of no
articles without the signature of the writers. I need not discuss this
plan; there is no collective party in favor of it. Some may think it is not
the only alternative; they have not produced any intermediate proposal in
which any dozen of persons have concurred. Many will say, Is not all this,
though perfectly correct, well known to be matter of form? Is it not
practically the course of events that an engaged contributor writes the
article, and sends it to the editor, who admits it as
written--substantially, at least? And is it not often very well known, by
style and in other ways, who it was wrote the article? This system is
matter of form just as much as loaded pistols are matter of form so long as
the wearer is not assailed; but matter of form takes the form of matter in
the pulling of a trigger, so soon as the need arises. Editors and
contributors who can work together find each other out by elective
affinity, so that the common run of events settles down into most articles
appearing much as they are written. And there are two safety-valves; that
is, when judicious persons come together. In the first place, the editor
himself, when he has selected his contributor, feels that {17} the
contributor is likely to know his business better than an editor can teach
him; in fact, it is on that principle that the selection is made. But he
feels that he is more competent than the writer to judge questions of
strength and of tone, especially when the general purpose of the journal is
considered, of which the editor is the judge without appeal. An editor who
meddles with substantive matter is likely to be wrong, even when he knows
the subject; but one who prunes what he deems excess, is likely to be
right, even when he does not know the subject. In the second place, a
contributor knows that he is supplying an editor, and learns, without
suppressing truth or suggesting falsehood, to make the tone of his
communications suit the periodical in which they are to appear. Hence it
very often arises that a reviewed author, who thinks he knows the name of
his reviewer, and proclaims it with expressions of dissatisfaction, is only
wrong in supposing that his critic has given all his mind. It has happened
to myself more than once, to be announced as the author of articles which I
could not have signed, because they did not go far enough to warrant my
affixing my name to them as to a sufficient expression of my own opinion.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account