A Bullet for CinderellaMacDonald, John D. (John Dann)
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A Bullet for Cinderella
MacDonald, John D. (John Dann)
American fiction -- 20th century; Detective and mystery stories
"I don't know yet. Have a nice lunch with Ruthie? She's a nice little
item. All the proper equipment. She didn't go for me at all. Maybe she
likes the more helpless type. Maybe if you work it right you'll get a
chance to take her to--"
He stopped abruptly, and his face changed. He looked beyond me. I
turned just in time to see a dark blue sedan approaching at a high
rate of speed. It sped by us and I caught a glimpse of a heavy balding
man with a hard face behind the wheel, alone in the car. The car had
out-of-state plates but it was gone before I could read the state.
I turned back to Fitz. "There's no point in following me around. I told
you I don't know any more--" I stopped because there was no point in
going on. He looked as though I had become invisible and inaudible. He
brushed by me and got into his car and drove on. I watched it recede
down the road. I got into my own car. The episode made no sense to me.
I shrugged it off my mind and began to think about Leach again.
FOUR
Though the high-school kids had gone, the doors were unlocked and
a janitor, sweeping green compound down the dark-red tiles of the
corridor, told me I could probably find Mr. Leach in his office on the
ground floor of the old building. The two buildings, new and old, were
connected. Fire doors separated the frame building from the steel and
concrete one. My steps echoed in the empty corridor with a metallic
ring. A demure little girl came out of a classroom and closed the door
behind her. She had a heavy armload of books. She looked as shy and
gentle and timid as a puppy in a strange yard. She looked at me quickly
and hurried on down the corridor ahead of me, moccasin soles slapping,
meager horsetail bobbing, shoulders hunched.
I found the right door and tapped on it. A tired voice told me to come
in. Leach was a smallish man with a harsh face, jet eyebrows, a gray
brushcut. He sat at a table marking papers. His desk, behind him, was
stacked with books and more papers.
"Something I can do for you?"
"My name is Tal Howard. I want to talk to you about a student you used
to have."
He shook hands without enthusiasm. "An ex-student who is in trouble?"
"No. It's--"
"I'm refreshed. Not in trouble? Fancy that. The faculty has many
callers. Federal narcotics people. Parole people. Prison officials.
County police. Lawyers. Sometimes it seems that we turn out nothing but
criminals of all dimensions. I interrupted you."
"I don't want to impose on you. I can see how busy you are. I'm
gathering material about Timmy Warden. Ruth Stamm suggested I talk to
you."
He leaned back and rubbed his eyes. "Timmy Warden. Gathering material.
That has the sound of a book. Was he allowed to live long enough to
give you enough material?"
"Timmy and some others. They all died there in the camp. I was there,
too. I almost died, but not quite."
"Sit down. I'm perfectly willing to talk about him. I take it you're
not a professional."
"No, sir."
Public-domain text, read in full here on John Shaqi.
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