A Bullet for CinderellaMacDonald, John D. (John Dann)
General
A Bullet for Cinderella
MacDonald, John D. (John Dann)
American fiction -- 20th century; Detective and mystery stories
"That doesn't do very much good. But I'll give you this much benefit of
the doubt, Tal. Look right at me and tell me that you have no reason to
be ashamed of why you came here."
I looked into the gray eyes and, like Grassman, I hesitated too long.
She slammed the car door and went to the house without looking back.
Saturday night was no longer a nice thing to think about. Somehow,
through impulsiveness and through awkwardness, I had trapped myself. I
felt as if I had lost a great deal more than a Saturday night date. She
was not a girl you could lie to. She was not a girl you would want to
lie to. My little cover story now seemed soiled and dingy. I drove into
town. I started my drinking at the Hillston Inn.
Before I left the Inn I cashed two traveler's checks. I hit a great
many bars. It was Saturday night. The city seemed alive. I can remember
seeing the dwarf bartender. There was a woman I bought drinks for. At
one time I was in a men's room and four of us were singing. The door
was locked and somebody was pounding on it. We were making fine music.
I was sick in a hedge and I couldn't find my car. I wandered a long
time before I found it. I don't know what time it was. It was late.
I had to keep one eye closed as I drove cautiously out to the motel.
Otherwise the center line was double.
I parked the car in front of my motel room and went, unwashed, to bed.
Sunday was a replica, a sodden day in town, a drunken day.
It was eleven when I got up on Monday morning. A half dozen glasses of
water made me feel bloated but didn't quench my thirst. My head pounded
in a dull, ragged rhythm. I shaved slowly, painfully. The shower made
me feel a little better. I decided that it was time to go. Time to
leave this place. I didn't know where I would head for. Any place. Any
kind of a job. Some kind of manual labor. Get too bushed to think.
I packed my two bags. I left them inside the door and went out to
unlock the trunk. All the transient cars were gone. A big dog stood
with his feet against the side of my car, looking in the side window.
The cold, thin, birdlike woman was carrying sheets and towels out of
one of the other rooms and dumping them into a hamper on wheels.
The dog jumped back as I walked out. He stood twenty feet away and
whined in a funny way. I made as though to throw gravel at him and he
went farther back. I didn't know what attracted him to my car.
I happened to glance inside as I was heading to unlock the trunk. I
stopped and looked for a long time. It seemed an effort to take my eyes
away. A big body was on the floor in the back, legs bent, head tilted
sideways. It was Milton Grassman. He still wore the brown suit. The
knees showed traces of pale dried mud. The forehead, in the area where
the thin hairline had started, was broken jelly, an ugly, sickening
depression. No man could have lived more than a moment with a wound
like that.
I realized the woman was calling to me in her thin voice.
I turned and said, "What?"
Public-domain text, read in full here on John Shaqi.
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