A Busy Year at the Old Squire'sStephens, C. A. (Charles Asbury)
History
A Busy Year at the Old Squire's
Stephens, C. A. (Charles Asbury)
Domestic fiction, American; Farm life -- Maine -- Fiction; Maine -- Social life and customs -- Fiction
As we were getting into the pung to go home after the meeting, and Helen
and her older sister, Elizabeth, were setting off, Bear-Tone dashed out,
bareheaded, with his big face beaming.
"Be sure you come again," he said to her, in a tone that was almost
imploring. "You can sing! Oh, you can sing! I'll teach you! I'll teach
you!"
The singing school that winter served chiefly as a pretty background for
Bear-Tone's delight in Helen Thomas's voice, the interest he took in it,
and the untiring efforts he made to teach her.
"One of the rarest of voices!" he said to the old Squire one night when
he had come to the farmhouse on one of his frequent visits. "Not once
will you find one in fifty years. It's a deep tribble. Why, Squire, that
girl's voice is a discovery! And it will grow in her, Squire! It is just
starting now, but by the time she's twenty-five it will come out
wonderful."
The soprano of the particular quality that Bear-Tone called "deep
tribble" is that sometimes called a "falcon" soprano, or dramatic
soprano, in distinction from light soprano. It is better known and more
enthusiastically appreciated by those proficient in music than by the
general public. Bear-Tone, however, recognized it in his new pupil, as
if from instinct.
The other pupils were somewhat neglected that winter; but no one
complained, for it was such a pleasure to hear Bear-Tone and Helen sing.
Many visitors came; and once the old Squire attended a meeting, in order
to hear Bear-Tone's remarkable pupil. In Days of Old when Knights were
Bold, dear old Juanita, and Roll on, Silver Moon, were some of their
favorite songs, Still a "goat," and always a "goat," I am not capable of
describing music; but school and visitors sat enchanted when Helen and
Bear-Tone sang.
Helen's parents were opposed to having their daughter become a
professional singer. They were willing that she should sing in church
and at funerals, but not in opera. For a long time Bear-Tone labored to
convince them that a voice like Helen's has a divine mission in the
world, to please, to touch and to ennoble the hearts of the people.
At last he induced them to let him take Helen to Portland, in order that
a well-known teacher there might hear her sing and give an opinion.
Bear-Tone was to pay the expenses of the trip himself.
The city teacher was enthusiastic over the girl and urged that she be
given opportunity for further study; but in view of the opposition at
home that was not easily managed. But Bear-Tone would not be denied. He
sacrificed the scanty earnings of a whole winter's round of singing
schools in country school districts to send her to the city for a course
of lessons.
The next year the question of her studying abroad came up. If Helen were
to make the most of her voice, she must have it trained by masters in
Italy and Paris. Her parents were unwilling to assist her to cross the
ocean.
Public-domain text, read in full here on John Shaqi.
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