A CALL FORD MADOX HUEFFER WORKS BY THE SAME AUTHOR THE FIFTH QUEEN PRIVY SEAL THE FIFTH QUEEN CROWNED THE SOUL OF LONDON THE HEART OF THE COUNTRY THE SPIRIT OF THE PEOPLE THE HALF-MOON MR. APOLLO THE ENGLISH GIRL A CALL THE TALE OF TWO PASSIONS BY FORD MADOX HUEFFER “We have a flower in our garden, We call it Marygold: And if you will not when you may, You shall not when you wold.” _Folk-Songs from Somerset_ LONDON CHATTO & WINDUS 1910 CONTENTS PART I PART II PART III PART IV PART V EPISTOLARY EPILOGUE PART I A CALL I IT was once said of Mr. Robert Grimshaw: “That chap is like a seal”--and the simile was a singularly just one. He was like a seal who is thrusting his head and shoulders out of the water, and, with large, dark eyes and sensitive nostrils, is on the watch. All that could be known of him seemed to be known; all that could be known of the rest of the world he moved in he seemed to know. He carried about with him usually, in a crook of his arm, a polished, light brown dachshund that had very large feet, and eyes as large, as brown, and as luminous, as those of his master. Upon the occasion of Pauline Lucas’s marriage to Dudley Leicester the dog was not upon his arm, but he carried it into the drawing-rooms of the many ladies who welcomed him to afternoon tea. Apparently it had no attractions save its clear and beautiful colour, its excellent if very grotesque shape, and its complete docility. He called upon a lady at tea-time, and, with the same motion that let him down into his chair, he would set the dog upon the floor between his legs. There it would remain, as motionless and as erect as a fire-dog, until it was offered a piece of buttered tea-cake, which it would accept, or until its master gave it a minute and hardly audible permission to rove about. Then it would rove. The grotesque, large-little feet paddled set wide upon the carpet, the long ears flapped to the ground. But, above all, the pointed and sensitive nose would investigate with a minute attention, but with an infinite gentleness, every object within its reach in the room, from the line of the skirting-board to the legs of the piano and the flounced skirts of the ladies sitting near the tea-tables. Robert Grimshaw would observe these investigations with an indulgent approval; and, indeed, someone else once said--and perhaps with more justness--that Mr. Grimshaw resembled most nearly his own dog Peter.