A call : $b The tale of two passionsFord, Ford Madox
General
A call : $b The tale of two passions
Ford, Ford Madox
English fiction -- 20th century
“And, poor dear!” Pauline said to her husband, “no one knows what she
has borne. And now ...”
She was sitting alone opposite Leicester in the railway carriage; she
was still in furs, for March was by no means done with, and the black,
grey-tipped hairs encircling her porcelain cheeks and chin, the black,
grey-tipped furs crowning her brow, that was like soft and translucent
china, she leaned back in the seat, and was so tiny that her feet did
not touch the floor. Her brows curved out over her eyes; their lashes
curved out and upwards, so that she had an expression of being a newly
awakened and wondering child, and about her lips there hovered always
one of those faint ghosts of smiles that are to other smiles as the
faint odour of pot-pourri is to the scent of roses. Her husband called
her Puff-Ball, because he said a breath of wind would scatter her like
an odorous smoke, gone in a second; but she had acquired her faint
smile whilst tending five very robust children when she had been a
nursery governess. She was twenty-three.
“You see,” she went on, “it was always mother’s ambition--her secret
ambition--to have a white pony and a basket-work open chaise. It must
be a white pony and a basket-work chaise. You know, the New Forest’s
the place where all Admirals go to die, and all their widows always
set up these chaises, just as all the Admirals always have parrots.
Not that I ever considered mother as a widow. I suppose that was
because I hardly saw her at all in her weeds, and I hardly ever saw
her with my father--and yet she was in such an agony of fear whenever
the wind blew, or when the weather was fierce. When it blew in the
Forest, it used to remind her that there might be wind at sea; when it
was a dead calm, she was always convinced that that meant that there
was a particularly vicious cyclone somewhere else. She always seemed
most characteristic when she was sitting bolt upright, with one hand
close to her heart--listening. And I don’t think she was the woman for
father. He was so big and grizzled, and loud and romantic. He used
to shout at her: ‘What’d a puff of wind do to a first-class cruiser?
What’d it do, d’you think?’ It wasn’t that he wasn’t prouder of her
than you are of me. Why, I’ve seen him take her up in his arms and
hoist her towards the ceding, as if she had been a baby, and roar with
laughter. But I don’t think that was very good for mother. And you know
she got her first touch of heart trouble when the _Victoria_ was
rammed. She was in Lyndhurst, and read it on the placards--_Flagship
sunk_: _Admiral and six hundred lives lost_.’ She put her hand
over her heart and fell over backwards. Oh! poor dear!”
Pauline looked at her husband.
“Yes, old boy,” she said, “you don’t know what we women have to suffer.”
Public-domain text, read in full here on John Shaqi.
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