A call : $b The tale of two passionsFord, Ford Madox
General
A call : $b The tale of two passions
Ford, Ford Madox
English fiction -- 20th century
It was not exactly the case that he had caught her flirting with a
boot-black. The man was the son of the farrier at Cove, and he had the
merit of riding uncommonly straight to hounds. Dudley Leicester--one
of those men who are essentially monogamous--had suffered unheard-of
agonies at hunt balls, in grand stands; he had known the landscape
near the Park to look like hell; he had supported somehow innumerable
Greshams, Hewards, Traceys, Stackpole cousins, and Boveys. But the name
of Bugle stuck in his gorge. “Bugle: Farrier,” was printed in tarnished
gold capitals over the signboard of the vet’s front-door! It had made
him have a little sick feeling that he had never had before. And that
same afternoon Etta’s maid Agnes had come to him, her cheeks distorted
with pitiful rage, to ask him for mercy’s sake to marry Miss Etta
soon, or she herself would never get married. She said that her young
man--her third young man that it had happened to--had got ideas above
his place because of the way Miss Etta spoke to him whilst he waited
at table. So that it wasn’t even only the farrier; it was the third
footman too. His name was Moddle....
That very afternoon--it had been six years before--Dudley Leicester had
announced his departure. He had, indeed, announced it to the maid Agnes
first of all. It broke out of him, such a hot rage overcoming him that
he, too, very tall and quivering, forgot the limits of class.
“I’m sorry for you, Agnes,” he had blurted out; “I’m sorry for myself;
but I shall never marry Miss Stackpole.” The girl had taken her apron
down from her eyes to jump for joy.
And very gradually--the process had taken years--hot rage had given way
to slow dislike, and that to sullen indifference. He sat at her side
at the dinner-table, and she talked to him--about concerts! She had a
deep, a moving, a tragic voice, and when she talked to her neighbour
it was with so much abandonment always that she appeared to be about
to lay her head upon his black shoulder and to rest her white breasts
upon the tablecloth. She perfumed herself always with a peculiar, musky
scent that her father, years ago, had discovered in Java.
“Bodya,” she would say, “has the tone of heaven itself; it’s better
than being at the best after-theatre supper in the world with the
best man in the world. But he uses his bow like a cobbler stitching.
If I shut my eyes La Jeuiva makes me use all the handkerchiefs I
can get hold of. _Real_ tears! ... But to look at, she’s like
a bad kodak--over-exposed and under-developed. She shouldn’t be so
_décolletée_, and she ought to sing in a wood at night. We’ve had
her do it down at Well-lands....
“But,” she added, “I dare say you never go to concerts now.”
“I haven’t been to one since the ones I went to with you,” Dudley said
grimly.
Public-domain text, read in full here on John Shaqi.
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