A Captive at Carlsruhe and Other German Prison CampsLee, Joseph
History
A Captive at Carlsruhe and Other German Prison Camps
Lee, Joseph
World War, 1914-1918 -- Personal narratives, British; World War, 1914-1918 -- Prisoners and prisons, German
During these difficult and dangerous years Mrs. Flad kept a diary,
which was published, but which is now out of print. With the coming of
Lord Napier the prisoners were released, and King Theodore came to a
tragic end by his own hand. The pastor is hopeful of some day taking up
his father’s work and he passed round a book printed in Geëz, I take
it, a page of which he reads every day. His father used to tell him how
in the native cafés he had heard discussion as to whether the Queen of
Sheba who visited King Solomon was ruler of Abyssinia or Arabia.
One need not be in Abyssinia to be chained to a black mood at least,
if not a black man. Sitting in the court at Carlsruhe, watching the
barbed wire shake and shiver like a man in an ague to the play of my
foot, I have been seized with a sudden fear of the horrors from which
I have emerged. This fear in retrospect, so to speak, was greater far
than anything I can confess to have felt in actuality; as if one who
had boldly and blindly crossed a profound abyss on a tight-rope should
faint or falter, grow dizzy and fall, having reached firm ground once
more; as if one had all the past still to pass through, and it were not
possible that one should safely pass through it.
To me, on such an occasion, appeared my buoyant young Italian friend
Cotta, who, passing an arm through mine, haled me off for a glass of
the atrocious white wine of the country--or at least of the _Kantine_.
Thereafter we walked together in the Close, Cotta giving his English an
airing.
“Yes, I speak English very well, very well. Have you see the donkey?”
The little donkey, which, yoked to a little waggon, brings us on most
days a load of parcels, and which has become so friendly to an alien
officer that even in charge of a somewhat obdurate driver it will make
a sudden detour from its course in order to shove its muzzle into my
hand, was grazing in the circular grass plot in the centre of the
square.
“It is the better German in the camp!” says Cotta. “Ah, I am very sad,
very sad,” he proceeds. “I have no letter from my girl, and the Germans
have take from me her photograph. Damn! damn!”
[Illustration: AN ITALIAN MAJOR OF MOUNTAIN ARTILLERY.]
* * * * *
[Illustration: PLAYBILL FOR LADY GREGORY’S “THE RISING OF THE MOON”]
* * * * *
[Illustration: OUR ORCHESTRA.]
IV ENTERTAINMENT IN EXILE
Public-domain text, read in full here on John Shaqi.
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