A Captive at Carlsruhe and Other German Prison Camps — John Shaqi
A Captive at Carlsruhe and Other German Prison CampsLee, Joseph
History
A Captive at Carlsruhe and Other German Prison Camps
Lee, Joseph
World War, 1914-1918 -- Personal narratives, British; World War, 1914-1918 -- Prisoners and prisons, German
On Friday morning the 5th July, between six and seven, “Hans”
entered our room, and fixing a sorrowful eye upon me--as one who
should enter the condemned cell to announce that it is approaching
eight o’clock--commenced his customary formula, “Well, gentlemen,
I’m sorry----” I knew that the hour of my departure had come, and,
before he had finished speaking, had mentally begun to pack up.
[Illustration: LIEUT. LAZZARI]
My chief emotion was exhilaration at the notion of a change of
environment after just two hundred days of captivity at Carlsruhe. I
bought a suit-case--chiefly composed of cardboard--into which I made
as diplomatic a packing of my sketches and papers as might be, in case
of trouble in that direction during the search which prefaces our
departure as it did our advent.
“Naked we came into the world,” but I discovered that I had gradually
amassed very considerable possessions. Bundled most of them into a
woven straw sack which had held French biscuits, and which had already
done me comfortable service as a rug in front of my couch. Handed
over the cash-box--I had been appointed cashier of the camp the night
before--and gave account of my stewardship to the Brigadier-General
who was senior British officer in camp. 3.50 marks expended to repair
broken violin strings; 6.20 marks received from an orderly, being the
billiard-table takings for two days. Then farewells to be said all
round.
Teixeira embraces me in true Portuguese fashion, Tuzzi wrings my hand
and repeats sadly, “It is necessary,” a phrase which we have both
come to use in pressing upon each other little presents of tobacco
and edibles. Lazzari gives me to understand that his robust tenor
will be mute to-morrow night, Calvi that his heart-strings as well
as those of his violin are broken. And so we pass into the “silence”
room for search. It turns out in the present instance to be a mere
formality--the interpreter puts his hand into my portmanteau and makes
a few pressures, as if he were feeling for heart-beats rather than for
hidden devices and designs.
We partake of soup--the last plate of an uncountable series--and then
we form up outside the court. We hear that we are bound for Beeskow,
near Berlin.
We answer to our names, and take up position in fours; there is a
hoarse order, and a clicking of magazines--the guards are loading
their rifles. The officer reports all correct, salutes, and then
motions us forward with a movement of his hand, and thus, amid cries
of encouragement and injunction from our comrades who remain, we get
into step, and pass through the gates. My last vision of Carlsruhe
_Kriegsgefangenenlager_ shows me the British Brigadiers and the Serbian
Colonels returning our salute; Maggiore Tuzzi, with a look of settled
melancholy upon his face, and Capitaine Teixeira, standing aloof, with
his hand upon his heart, as suggesting that I shall ever have occupancy
there.
[Illustration: MAGGIORE TUZZI.]
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Public-domain text, read in full here on John Shaqi.
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