England -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Mystery fiction
At last Esdaile saw the point. His behavior _had_ been extraordinary for
whole minutes before the situation had been explained to him. One would
have thought that during those minutes he had been deliberately trying
to find out how much we knew about something or other before committing
himself. When next he spoke it was almost apologetically.
"I see," he said quietly at last. "Yes, you're perfectly right. That was
certainly the proper way to take it--just be decently upset. I see now.
I must have looked a perfect zany.... Now look here: I want to tell you
both all about it, but the trouble is that I can't just at this moment.
At present it's somebody else's affair, not mine at all. Must get that
cleared up first. I'm not perfectly sure of my ground either; you'll see
by and by. But as regards the accident--well, that's the whole point at
present. I mean anybody would say it _was_ an accident, wouldn't they?
It _looked_ like one, I mean? It would never occur to anybody who saw it
that----"
But here he broke off abruptly as his wife appeared in the doorway.
VII
Perhaps at this point I had better tell you who "I" am who write this,
and also how our little circle came to choose me for the task.
As a minor actor in these events you may set me down as a working
journalist. Among other things I am one of the sub-editors of the _Daily
Circus_. But that is not the whole of my life. I am also a novelist of
sorts. And one of my reasons for sticking to journalism when I could
manage at a pinch to do without it is that in this way I escape the doom
of having to produce two novels a year whether I have anything to write
about or not.
But that was not their idea in asking me to put into shape the mosaic of
differently-colored pieces that constitutes this Case. I believe their
idea was that my two capacities might supplement one another--that I
might hold fast (so to speak) to the bed-rock facts with my journalistic
hand while the other was left free for the less tangible elements. I
don't know that I altogether agree with this distinction. I happen to
have some experience of how much fiction people swallow when they take
up their morning papers, and also of how much mere hurdy-gurdy-grinding
they accept as "human nature" when it comes to them in the form of a
novel. But that is their look-out. I told them that with their help I
would do my best.
I had to have their help. Obviously I could not always be at the side of
this person or that, Rooke or Esdaile or Hubbard, throughout every
winding of a complicated chain of events. But I have known Esdaile for
twenty years, Rooke for a dozen, and most of the others long enough to
have a fairly reliable impression of them, and their accounts are quite
trustworthy. If I have any doubt about this I say so.
Public-domain text, read in full here on John Shaqi.
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