England -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Mystery fiction
For who can believe in the candor of a young woman of just twenty who,
the very first time a young man is brought to the house, straightway
enters into a clandestine arrangement to meet him at tea the next day,
and presently can hold out her hand with a conventional "Good-by, Mr.
Smith," as if the last thing that entered her head was that she would
ever set eyes on him again? It takes the nerve of the modern young woman
to do that. The case of Mr. Smith, observe, is entirely different. Mr.
Smith, suddenly meeting the lovely young thing, may not be sure whether
his feet are treading a polished studio floor or whether they have
little Mercury wings on them that waft him through the empyrean; but
there is this to be said for Mr. Smith--that when he is in love he
doesn't behave as if he wasn't. He fidgets even if she goes out of the
room for a minute. He doesn't know that she herself couldn't tell him
why she has gone out of the room. He thinks she had something to go for,
and never dreams that she is just sitting on the edge of her bed,
knowing perfectly well that he will be leaving in half an hour, asking
herself what made her so suddenly get up and leave him, and yet not even
writing him a note.
The notes came later, at about the time she put a lock on her
letter-case. They were numbered "1," "2" and "3" to indicate the
sequence in which they should be read (a billet scribbled at seven
o'clock in the evening must on no account be read before one that is
dashed off at tea-time), and they were constantly on the wing.
Nor did these protégés of Mollie's choose tea-shops that Philip was
known to frequent, nor cinemas the kindly gloom of which might by any
chance have concealed him. Philip never noticed that his monthly
telephone accounts rose perceptibly higher. True, he did ask one evening
why the children had been put to bed while it was still broad day, but
he was not told that he might find the reason walking hand-in-hand under
the trees in Richmond Park.
It is no good asking whether Joan and Chummy were engaged. What is a
young woman's engagement nowadays? No doubt Joan's father had in his day
ceremoniously "waited upon" her maternal grandfather-elect and had "had
the honor" and so on, but Miss Joan always reminded me of the private
with the field-marshal's baton--she seemed to have come into the world
with a will of her own, a latch-key and her marriage-lines all
potentially complete. I remember she called an engagement an
"understanding." If by that word she meant what the Psalmist meant, she
certainly made haste with all her heart to get it.
Of course, Philip had sooner or later discovered what was going on under
his abused roof, and now knew all there was to be known about it. And it
must have occurred to him also that, with letters numbered "1," "2" and
"3" flying backwards and forwards all the time, any interruption of more
than a day or two would set Joan, away in Santon, Yorks, anxiously
wondering what was the matter.
Public-domain text, read in full here on John Shaqi.
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