England -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Mystery fiction
Next I remembered how Esdaile had been occupied when Hubbard and I had
followed him into the studio shortly after his return from the cellar.
He had been so engrossed in poking about the broken glass and mats on
the studio floor that he had seemed to notice little else. Had he been
looking for the bullet that had made that hole in the roof? And why had
he had the roof-blinds drawn, and broken out on Monty when he had wanted
to put them back again? This last, I admit, set me all at sea again. The
drawing of the blinds would certainly hide the bullet-hole in the pane
from anybody _in_side the house, supposing he wished to hide it; but
what about the police who had been on the roof itself at that very
moment? The drawing of the blinds inside would hide nothing from them.
Why seek to conceal from the rest of us something that if they cared to
investigate they could hardly fail to see?
One more thing. If that pistol had been fired on the premises, somewhere
there must be, not only a bullet, but a spent case also. I mentioned
this, and Esdaile gave a slight start of recollection.
"Of course!" he exclaimed. "Glad you mentioned that. I found the case in
the garden. Here it is. I'd honestly forgotten all about it."
And, as he fetched it out of his waistcoat pocket and put it down by the
side of the pistol, I as honestly believed he had.
"But there's no sign of the bullet?" I asked.
"I've looked high and low for it," Esdaile replied. "Low, I should say,
because naturally I don't want to go hunting about the roof in the
daylight. Too many eyes about. There's no trace of it."
"But it wouldn't be on the roof if it made that hole in the glass. It
would be in the studio. Or possibly," I ventured, "in the cellar."
But, as Esdaile was about to reply, a bell trilled in the kitchen, and,
with a "That's Rooke, I expect," Esdaile put the pistol and the empty
case back into the drawer, motioned us to remain where we were, and went
out.
X
Philip had described Rooke quite well when he had said that he had the
air of a naughty boy caught robbing an orchard. He had a hang-dog yet
defiant look as he entered, shepherded in by Philip as if we had been a
tribunal empaneled for his condemnation. But there was relief in his
face too--the relief of one who has got the worst over and hardly fears
the rest. And, as he threw his hat on the table and looked round in
search of a chair, he unconsciously emphasized his air of boyish guilt
by sitting down on a low stool that stood between the empty fireplace
and the escritoire.
Esdaile began immediately, as if Rooke had merely been out of the room
for a few moments.
"Well, to continue our chat, Monty," he said. "I've told these fellows
as much as you've told me. Shall we have the rest of it now?"
Public-domain text, read in full here on John Shaqi.
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