England -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Mystery fiction
"Give him a smile now and then and he'll eat out of your hand, Mollie,"
he said. "Now, Joan, the last little bit--this is where a steady hand
comes in--there!" He held up in triumph the wiggle of apple paring.
"Throw it over your left shoulder and see what initial it makes on the
floor. Here's my guess on this bit of paper under my napkin--'C for
Ch' ... Ah, clumsy infant!" The strip had fallen in two pieces. "There
goes your luck. Allee done gone finish. I'll have the apple myself;
you'd better go and write the rest of those labels."
The Esdailes had to all intents and purposes adopted Joan Merrow now
that she was alone in the world. On the day when Philip, half scared by
the risks he was taking, had informed his private pupils that their
tuition took up too much of his painting-time, he had not included Joan.
She had continued to prime his canvases and to make use of his models at
long range from odd corners of the studio; and then, during his absence
on Service, she had come to live in the house, had taught and mended for
the children, and had been companion and friend to Mollie. By an
affectionate fiction, her former fees were supposed to cover the cost of
her board, and a proper arrangement was to be come to one of these days.
She was twenty, had only lately ceased to have the stripling figure that
is all youth and no sex, and was already acquiring that mystery of
physical shape and of mind and emotion that causes men's heads to turn
behind and their lips to murmur, "Ah--in another year or so----"
There was still the faint echo of chattering schoolrooms in the repartee
that came from her pretty lips. Pertly and with little tosses of her
head she enumerated the duties she had discharged that morning.
"The labels are all distinctly written, with the name at the top, then a
space, and 'Santon, Yorks' quite at the bottom so you can tear it off
and use the label again for somewhere else. Both the taxis are ordered
for one-thirty, and Mr. Rooke won't have to send on letters because
they're all being re-addressed at the Post Office. The doors and windows
are all fastened, and I've shown Mrs. Cunningham where everything is
for after the wedding. And I didn't want the apple, and you've no
business to write things about me on your horrid bits of paper!"
And we all laughed as she suddenly twitched Philip's napkin away and
tucked the horrid bit of paper safely away into her bosom.
III
I have told the foregoing in some detail because I want you to see the
careless and happy party into which that morning's bolt dropped a
quarter of an hour later. I want you to see the contrast between our
homely light-heartedness and the complex tangle of all that followed. I
will now tell you what the bolt was.
Public-domain text, read in full here on John Shaqi.
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