England -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Mystery fiction
(I may say now, by the way, that Philip's caution about the newspapers
was needless. The paper that found its way to Santon about midday was a
London paper, but a Northern edition. Minor accidents in Chelsea are
seen in perspective from the North, and no account of that Chelsea
accident ever did appear.)
Only Joan and the children went to Church on that Sunday morning. Mollie
made some excuse about helping the village girl to prepare the midday
meal. Perhaps she preferred not to read letters and have her own face
read by Joan at the same time.
In the summer, when the door of that diminutive Church usually stands
wide open all through the service, you can see from the back pews the
postman pass on his way to Newsome's, the farthest farm. So there in
Church Joan sat, watching the bees that droned in and out of the open
door, the butterflies that hovered, the cattle that tried to crop inside
the little wire fence. The whiteness of the daisies was faintly shed up
among the old rafters, and the curate's singsong rose and fell
peacefully. The postman passed with the Newsome letters, and repassed
with his empty bag. Then the sluggish old harmonium droned forth the
last hymn, they knelt for the Benediction, and Joan and her charges were
the first to hurry forth out into the sunshine again.
And this time there was a letter for her.
But her brows were already contracted even before she opened it. She
stood, in the white frock and buttercupped hat, against the musk and
geraniums of the sunny window, already wondering what the quite strange
handwriting of the envelope meant, already half afraid to ascertain.
"Is this all----?" she began.
Then with a nervous jerk she tore open the envelope, and a cry broke
from her. The blue eyes were wide frightened rounds.
For if the handwriting on the envelope was strange, that of the shaky
penciled scrawl inside was not quite familiar either. Yet it was
Chummy's. He had had a bit of a spill, he said, but nothing to hurt.
Rather shaken, but nothing broken. She was not to come up, as he would
be out and up again before she could get there.
And that was all. There was no address at the head of the letter, and he
did not say who had addressed the envelope for him, nor why.
"Oh, Mollie, he's hurt!" broke agitatedly from Joan.
Mollie was writing a letter at the little round table where the
workbasket stood. Quietly she rose and passed her arm about the girl.
"Yes, darling, but he's quite all right," she calmed her.
"Have you heard from Philip, then? What is it? What does he say?" the
words came with a rush.
Mollie had not heard from Philip that morning. That was why she was
writing her letter. But she said she had heard from him. She meant the
letter she had received on Friday afternoon.
"And somebody's had to write the address for him!" Joan's voice became
more unsteady still. "Oh, that means he's badly hurt! I must go at
once!"
Public-domain text, read in full here on John Shaqi.
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