England -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Mystery fiction
The wardrobe cleared the bend, and Audrey Cunningham followed it into
the cellar.
It was only natural that she should look with some curiosity at the
place in which Philip Esdaile had spent that unaccounted-for half hour
on the morning of the day before. I did the same thing myself at a
later stage. But all that she saw was the most ordinary of cellars.
Hubbard himself, who seemed to have cellar-on-the-brain, would have
found nothing remarkable in it. This is all that was to be seen:--
A roomy, gloomy, clammy place, with old plastered walls, and neither
door nor window of any kind nor other means of entry than that they had
just used. Its air hit skin and nostrils like that of a grave. The light
of the single candle seemed lost in its obscurity. When Audrey held the
candle up above her head a couple of heavy beams could be seen,
necessary for the support of the largish area of the studio floor; when
she held it to one side it showed in a corner a couple of gas-meters
with the usual pipes, and underneath them the improvised rack in which
Esdaile kept his modest stock of wine. When she held it to the other
side its light hardly reached the farther wall, but wavered over the dim
objects that half-filled the floor-space. These were merely the
furniture for which Esdaile had no present use, and consisted of a large
couch covered with a dingy dust-sheet, a few oddments of chairs, a
number of packing-cases, and in fact the usual miscellaneous collection
of household lumber that one day seems hardly worth keeping and the next
looks just too good to throw away. Nearest to hand on the wine-rack
stood the bottle of curaçao, just where Esdaile himself had replaced it.
And that was all.
"Well, where will you have it, Audrey?" said Philip. "What about over by
the sofa there?"
Mrs. Cunningham was once more holding the candle over her head. Any
young woman's face by candlelight always seems singularly attractive to
me, especially if she is a dark-eyed woman, and she was a slight and
graceful thing to have endured so much. Had Joan been holding that
candle up she would have given you the impression of a statue, but Mrs.
Cunningham was just the opposite--all warm and fleeting and impermanent
charm, a creature depending on the varying accidents of color, even when
that color was only the sooty black of her home-made dress, the
candlelight on her face and the tiny reflections in her large and
lustrous eyes.
Suddenly she gave a shiver and a nervous laugh.
"I don't think I should like to be shut in here alone," she said.
"Why not?" Philip asked.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account