England -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Mystery fiction
Mollie was standing in the porch of the cottage as she read this. It was
immediately after breakfast. The postman could be seen in the middle
distance, climbing the stile on his way to Newsome's. Joan was
upstairs, getting the children ready for the shore.
Mollie thrust the letter into her breast. If Joan knew that the postman
had been she would come flying downstairs, and in any case Mollie did
not wish to be seen reading a letter. This from Audrey Cunningham was
all there was for her. For Joan there was nothing at all.
Quietly she slipped into the cottage, picked up a floppy print
sunbonnet, and slipped noiselessly out again. The back of the cottage
had no windows. Like a malefactor she skirted the palings of the little
front garden and gained the security of the back. But even this was not
far enough. The path up the field led to the Coast-guard Station, and,
with one furtive glance behind her, she took it. She would finish
Audrey's letter there.
Mollie Esdaile is still a young woman, but she looked every minute of
her age that morning. She had not slept. The room adjoining hers was
Joan's, and the wall between them might just as well not have existed,
so little a barrier had it been to the restless mental ticking of the
girl on the other side of it. A soft and tortured toss, then the
creaking of the bed, then the sounds of Joan moving about her room; the
striking of a match, a long silence, and then the creaking of the bed
again--all night it had gone on. Mollie had not gone to her; what had
there been to do or say? A hundred times she had promised, as if it had
lain in her power, that there should be a letter in the morning. None
had come. She felt a coward. She simply could not face Joan.
There was a merry morning wind, that ruffled the fleeces on the sheep's
backs and set the halliards of the Coast-guard's mast cracking and
rattling. Mollie tied the strings of the print sunbonnet under her plump
chin and walked with her head a little averted in order to see round the
print blinker. Beyond the waving grass-heads the sea appeared, a wide
silver glitter. You cannot see the shore from that hill. The sands and
the mile-long rollers lie far below that cliff's edge over which the men
are let down by ropes to gather the eggs from the awful ledges.
Then, in the little sunken way that runs down to the Rocket-house, she
sat down and took out the letter again.
"I don't think I can accept your offer of Lennox Street for Monty
and myself after all. Our engagement is not definitely broken off,
but I can't stand things as they are, and am back in Oakley Street
again. They say I can stay on, but I may have to pay a little more.
Monty is still at the studio."
"I _knew_ it!" broke from Mollie with soft conviction. "I knew that if
Philip stayed that wedding would be put off! I told him so----"
Frowning, she turned to the letter again.
Public-domain text, read in full here on John Shaqi.
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