England -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Mystery fiction
"That's so," he confirmed. "I've just been having a word with the
Inspector about that. He doesn't think anybody here will have to attend
any inquiry or anything; the police evidence ought to be enough. So I
was thinking, Mrs. Esdaile," he turned to Mollie, whose face was still
pale and drawn and who bit the corner of her lip incessantly, "that the
best thing for you to do is to stick to your program just as if this
hadn't happened. You'll do no good staying here. You didn't see
it,"--here Joan Merrow, from the little sofa, raised her head but
dropped it again without speaking--"well, I mean that even Joan didn't
see anything that five hundred other people didn't see just as well.
Rooke may just possibly be wanted, but anyway he'll be here. And as for
Philip----"
He broke off abruptly. Of a sudden we all stared at one another. We had
forgotten all about Philip. Where was he?
If you remember, he had gone down into the cellar to fetch a bottle of
wine. And in performing this simple errand he had been away for close on
half an hour.
Mollie Esdaile, all on edge again, turned swiftly to Monty Rooke.
"Where is he? He did go down there, didn't he? You did give him the
cellar key, didn't you? And nobody heard him go out of the house?"
Well, that was a matter that was very easily ascertained. Already
Hubbard had taken a stride towards the door that led to the cellar.
But he did not reach the door. A footstep was heard behind it and the
turning of a key, and Esdaile entered. In one hand he carried a stone
jar of Dutch curaçao. In the other, arrestively out of place in the
spring sunshine, its flame a dingy orange and its little spiral of
greasy smoke fouling the air, he held a lighted candle in a flat tin
stick.
V
For a moment we all gazed stupidly at that jar and candle; but the next
moment our eyes were fastened on Philip's face.
Now ordinarily Esdaile's face, clean-shaven since 1914, is quite a
pleasant one to look at, lightly browned, and with the savor of the sea
still lingering about it. Nor was it noticeably pale now. Indeed, you
might have said that some inner excitation made it not pale at all. But
there was no disguising the strained tenseness of it. At the same time
he was obviously attempting such a disguise. His features were set in a
would-be-easy smile, but the smile stopped at his eyes. These blinked,
though possibly at the sudden brightness after the obscurity below. And
he spoke without pause or preliminary, as if rehearsing something he had
had time to get letter-perfect but not to make entirely and naturally
his own.
"Did you think I was never coming up?" The mechanical smile was turned
on us all in turn. "I suppose I have been rather a long time. Just
wool-gathering. I apologize to everybody. Where are the
liqueur-glasses?"
There was a dead silence. Was it possible that he had heard nothing,
knew nothing of what had occurred?
Monty Rooke was the first to speak.
Public-domain text, read in full here on John Shaqi.
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