On the left of the next slab are four men of the same character as
No. 18. They all wear himation and boots. They converse in pairs
and stand in easy attitudes, leaning on their staffs. There is a
corresponding group of four male figures (Nos. 42-45) on slab vi.,
and Michaelis supposes that the group of five figures (Nos. 18-22)
and the opposite group (Nos. 42-45) of four figures represent the
nine Archons. That they are functionaries of high rank can hardly
be doubted, when we consider their privileged place between the
head of the procession on each side and the seated divinities,
but they might well be Athlothetae, who controlled all the
arrangements (Aristotle, [Greek: Ath. pol.] ed. Kenyon, 60).
[Sidenote: 23-40.]
The central portion of the eastern frieze now to be described has
been the subject of much controversy. Nearly all the authorities
who have written on this question agree in recognising the two
groups of seated figures as deities. This is indicated not only by
the dignity of their appearance but also by their scale. While the
figures of the mortals are about 3 ft. 2 in. high, those of the
deities are about 4 ft. 4 in. high. Though by the principle known
as Isokephalism the heads in a relief are usually nearly on a
level, this marked difference of scale can hardly fail to indicate
divine rank; compare the frieze of the Theseion (No. 404). There
is, however, a wide divergence of opinion as to the particular
divinities here represented. From the destruction of most of the
faces and the absence of attributes or other indications by which
the figures can be severally identified, it is very difficult to
judge between the rival schemes of interpretation which have been
proposed. In Michaelis' _Parthenon_, pp. 262, 263, a tabular view
is given of these schemes (cf. _Guide to the Elgin Room_, I.,
Table C). The attributions proposed by Michaelis himself are for
the most part adopted here, with certain changes suggested by
Flasch in his memoir: _Zum Parthenonfries_ (Würzburg, 1877).
Public-domain text, read in full here on John Shaqi.
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