The great collection that had been formed by Charles Townley[18] was
purchased in 1805 by Act of Parliament, 45 Geo. III. cap. 127, for
£20,000, a sum greatly below the value of the sculptures. Charles
Townley (1737-1805), of Townley, in Lancashire, acquired a large part
of his marbles, during a residence in Italy, between 1768 and 1772,
but continued collecting, after his return to England. The chief
sources from which he formed his museum were the following: (1) the
older Roman collections, from which Townley made numerous purchases;
(2) the excavations carried on by Gavin Hamilton, a Scotch painter
living in Rome (died 1797), and by Thomas Jenkins, an English banker;
(3) occasional purchases from older English collections. Thus the
relief of Exakestes[19] was derived from the collection of Dr. Richard
Mead (see above). The relief of Xanthippos[20] had been brought to
England by Dr. Anthony Askew, a physician, who visited Athens and the
East, about 1747, and compiled a manuscript volume of inscriptions,
now in the British Museum (Burney MSS., No. 402). Several pieces[21]
were also obtained from the collection formed at Wimbledon by Lyde
Browne, a virtuoso and Director of the Bank of England, who died in
1787.
The accession of the Townley Collection in 1805 made necessary the
erection of a special building in the garden of the then existing
Montague House, and also caused the creation of a separate Department
under Taylor Combe, for the custody of the antiquities, which had been
previously attached to the Library.
In 1814, the Phigaleian sculptures were purchased of the explorers[22]
in a public auction at Zante, and the Museum thereby acquired its
first series of sculptures from a Greek building. A fragment, which
had been lost during the transportation of the marbles,[23] was
presented by Mr. J. Spencer Stanhope in 1816.
Public-domain text, read in full here on John Shaqi.
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