This is a cast from the first of the metopes of the west side, and
represents a figure mounted on a horse, moving to the right, with
the right hand drawn back as if aiming a spear, and having a
chlamys flying behind. If the metopes on this front represented an
Amazonomachia, this figure may be an Amazon. The surface is much
damaged. A drawing by Pars in the British Museum makes this a male
figure.
Michaelis, pl. 5, West side, i.; _Stereoscopic_, No. 80.
The corresponding metopes on the east side of the Parthenon remain on
the building, but have all suffered great injury. They appear to have
represented scenes from the war of the gods and giants.
Michaelis, pl. 5, East side, i.-xiv.
THE FRIEZE OF THE PARTHENON.
The Frieze of the Parthenon is a continuous band of sculpture in low
relief, which encircled and crowned the central chamber or cella
of the temple, together with the smaller porticoes that immediately
adjoined each end of it.
The frieze is nearly 3 ft. 4 in. high. The height of the relief is
somewhat greater at the top than at the bottom. At the top the height
of the relief may be as much as 2-1/4 inches, with an average height
of about 1-1/2 inch. At the bottom it varies between low relief and
about 1-1/4 inch. The whole surface of the relief is thus slightly
tilted over towards the spectator, in order to compensate as far as
possible for the disadvantageous conditions under which the frieze had
to be viewed. The length of each end of the Parthenon frieze was 69
ft. 6 in.; the length of each long side was 191 ft. 11 in. The length
of the entire frieze was therefore 522 ft. 10 in.
The frieze, which was nearly complete in the time of Carrey, suffered
greatly in the explosion, particularly about the middle of the two
long sides. Unfortunately, however, Carrey only made drawings of the
west end; the east end, except its central slab which had been taken
down; about 74 feet in the middle of the south side; and about 78
ft. 6 in. at the east end of the north side. Stuart and Pars drew a
considerable amount of the frieze, but not much of what has since been
entirely lost. The following table shows approximately the state of
the whole frieze.
Public-domain text, read in full here on John Shaqi.
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