Long ago, in her youth, Aunt Celia was engaged to a young architect. He, with his triangles and T-squares and things, succeeded in making an imaginary scale-drawing of her heart (up to that time a virgin forest, an unmapped territory), which enabled him to enter in and set up a pedestal there, on which he has remained ever since. He has been only a memory for many years, to be sure, for he died at the age of twenty-six, before he had had time to build anything but a livery stable and a country hotel. This is fortunate, on the whole, because Aunt Celia thinks he was destined to establish American architecture on a higher plane, rid it of its base, time-serving, imitative instincts, and waft it to a height where, in the course of centuries, it would have been revered and followed by all the nations of the earth. I went to see the stable, after one of these Miriam-like flights of prophecy on the might-have-been. It isn't fair to judge a man's promise by one modest performance, and so I shall say nothing, save that I am sure it was the charm of the man that won my aunt's affection, not the genius of the builder. This sentiment about architecture and this fondness for the very toppingest High Church ritual cause Aunt Celia to look on the English cathedrals with solemnity and reverential awe. She has given me a fat note-book, with 'Katharine Schuyler' stamped in gold letters on the Russia-leather cover, and a lock and key to conceal its youthful inanities from the general public. I am not at all the sort of girl who makes notes, and I have told her so; but she says that I must at least record my passing impressions, if they are ever so trivial and commonplace. She also says that one's language gains unconsciously in dignity and sobriety by being set down in black and white, and that a liberal use of pen and ink will be sure to chasten my extravagances of style. I wanted to go directly from Southampton to London with the Abbotts, our ship friends, who left us yesterday. Roderick Abbott and I had had a charming time on board ship (more charming than Aunt Celia knows, because she was very ill, and her natural powers of chaperoning were severely impaired), and the prospect of seeing London sights together was not unpleasing; but Roderick Abbott is not in Aunt Celia's itinerary, which reads: 'Winchester, Salisbury, Bath, Wells, Gloucester, Oxford, London, Ely, Peterborough, Lincoln, York, Durham.' These are the cathedrals Aunt Celia's curate chose to visit, and this is the order in which he chose to visit them. Canterbury was too far east for him, and Exeter was too far west, but he suggests Ripon and Hereford if strength and time permit. Aunt Celia is one of those persons who are born to command, and when they are thrown in contact with those who are born to be commanded all goes as merry as a marriage bell; otherwise not.