A century of English essays : $b An anthology ranging from Caxton to R. L. Stevenson & the writers of our own time
General
A century of English essays : $b An anthology ranging from Caxton to R. L. Stevenson & the writers of our own time
English essays; English literature
If I had sufficient provocation to rail at the public, as Ben Jonson
did at the audience in the Prologues to his plays, I think I should do
it in good set terms, nearly as follows. There is not a more mean,
stupid, dastardly, pitiful, selfish, spiteful, envious, ungrateful
animal than the Public. It is the greatest of cowards, for it is
afraid of itself. From its unwieldy, overgrown dimensions, it dreads
the least opposition to it, and shakes like isinglass at the touch of
a finger. It starts at its own shadow, like the man in the Hartz
mountains, and trembles at the mention of its own name. It has a
lion's mouth, the heart of a hare, with ears erect and sleepless eyes.
It stands "listening its fears." It is so in awe of its own opinion,
that it never dares to form any, but catches up the first idle rumour,
lest it should be behind-hand in its judgment, and echoes it till it
is deafened with the sound of its own voice. The idea of what the
public will think prevents the public from ever thinking at all, and
acts as a spell on the exercise of private judgment, so that in short
the public ear is at the mercy of the first impudent pretender who
chooses to fill it with noisy assertions, or false surmises, or secret
whispers. What is said by one is heard by all; the supposition that a
thing is known to all the world makes all the world believe it, and
the hollow repetition of a vague report drowns the "still, small
voice" of reason. We may believe or know that what is said is not
true: but we know or fancy that others believe it--we dare not
contradict or are too indolent to dispute with them, and therefore
give up our internal, and, as we think, our solitary conviction to a
sound without substance, without proof, and often without meaning. Nay
more, we may believe and know not only that a thing is false, but that
others believe and know it to be so, that they are quite as much in
the secret of the imposture as we are, that they see the puppets at
work, the nature of the machinery, and yet if any one has the art or
power to get the management of it, he shall keep possession of the
public ear by virtue of a cant-phrase or nickname; and, by dint of
effrontery and perseverance, make all the world believe and repeat
what all the world know to be false. The ear is quicker than the
judgment. We know that certain things are said; by that circumstance
alone we know that they produce a certain effect on the imagination of
others, and we conform to their prejudices by mechanical sympathy, and
for want of sufficient spirit to differ with them. So far then is
public opinion from resting on a broad and solid basis, as the
aggregate of thought and feeling in a community, that it is slight and
shallow and variable to the last degree--the bubble of the moment--so
that we may safely say the public is the dupe of public opinion, not
its parent. The public is pusillanimous and cowardly, because it is
weak.
Public-domain text, read in full here on John Shaqi.
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